Relative vs Parallel Minor Flashcards: Scale Spelling & Repairs
Practice relative and parallel minor with mixed key relationships, natural-minor note changes, accidental repairs, and checks on what a signature can tell you.
Um þennan stokk
Keeping the tonic and keeping the signature lead to different minor keys. These 48 text-only cards help you choose the relationship first, then spell or repair the note it requires.
The cards practice four mappings:
- A request or supplied key pair → relative, parallel, or neither, with the preserved feature explained.
- A supplied major or natural-minor scale → one degree in the parallel scale. Both directions are included, with sharp cancellation and spellings such as E♯, B♯, C♭, and F♭.
- One faulty key name, accidental, note spelling, or signature claim → a precisely constrained repair.
- A signature or limited tonal evidence → what you can conclude, including why a local harmonic-minor seventh doesn’t change the underlying relative key.
Six short anchors introduce the rules before the mixed practice. Common note changes come before the less familiar sharp and flat spellings; related examples and inverse prompts are separated by at least three other cards. The review scheduler handles longer-term spacing after installation. Each prompt includes its own key or scale context.
This is written practice for beginning instrumentalists and theory learners who already recognize note names. It leaves out ear training, complete scale grids, all 15 relative-pair lookups, theoretical signatures, double accidentals, and harmony or modulation exercises. The Circle of Fifths deck covers the full relative-pair lookup; Major & Minor Key Signatures practices written staff signatures; Music Intervals covers interval recall.
For worked explanations, read Relative vs Parallel Minor. The Music Theory Flashcards guide helps plan broader practice.
These questions, answers, examples, sequence, metadata, and decorative AI-generated cover were independently authored. Common music facts were checked against the University of Puget Sound’s Minor Key Signatures and Minor Scales. Their protected wording, exercises, notation, and figures were not adapted; no examination questions, competitor cards, or third-party media were copied. CC0 1.0 applies to the original elements to the extent applicable rights exist, without claiming ownership of musical facts. This independent deck has no examination or curriculum alignment.
Spjöld í þessum stokki
Spjald 1
Spurning
A major key and its relative minor preserve which written feature?
Svar
The key signature. The minor tonic is major’s degree 6; the major tonic is natural minor’s degree 3. The tonic changes, while the natural-minor notes use the shared signature.
Spjald 2
Spurning
When changing one scale degree from major to parallel natural minor, what must stay the same in that degree’s written note?
Svar
Its letter name. Change the accidental by a semitone when needed; replacing the letter can break the scale spelling.
Spjald 3
Spurning
Which degrees change when a major scale becomes its parallel natural minor, and by how much?
Svar
Lower degrees 3, 6, and 7 by one semitone each. Degrees 1, 2, 4, and 5 stay the same.
Spjald 4
Spurning
A key answer says only “B♭.” What extra word is needed to identify the key’s mode?
Svar
Major or minor. “B♭ major” and “B♭ minor” name different keys.
Spjald 5
Spurning
Which form of a minor scale supplies the notes represented by its key signature?
Svar
Natural minor. Raised degrees in harmonic or melodic minor are written as local accidentals.
Spjald 6
Spurning
A major key and its parallel minor preserve what about their tonic?
Svar
The same tonic, including its accidental. Only the mode changes in the key name.
Spjald 7
Spurning
E major has degree 6 C♯. You need a minor key with E major’s key signature. Which key fits?
Svar
C♯ minor. The request preserves the signature, so choose the relative minor from degree 6.
Spjald 8
Spurning
F major: F–G–A–B♭–C–D–E. What is degree 6 in its parallel natural minor?
Svar
D♭. Lower the major-scale D by one semitone and keep the D letter.
Spjald 9
Spurning
E major: E–F♯–G♯–A–B–C♯–D♯. What is degree 3 in E natural minor?
Svar
G. Lower G♯ by one semitone; the sharp disappears.
Spjald 10
Spurning
B major’s degree 7 is A♯. A learner writes A♭ for degree 7 of B natural minor. Replace only that note.
Svar
A. Lowering A♯ by one semitone gives A, not A♭.
Spjald 11
Spurning
B minor and B major: relative, parallel, or neither?
Svar
Parallel. Both have tonic B, with different modes.
Spjald 12
Spurning
A piece’s key signature contains B♭ and E♭. Among major and minor keys, what candidates does that signature give you?
Svar
B♭ major and G minor. The signature alone doesn’t choose between those tonal centers.
Spjald 13
Spurning
B♭ major: B♭–C–D–E♭–F–G–A. What is degree 7 in B♭ natural minor?
Svar
A♭. Lower A by one semitone, keeping the A letter.
Spjald 14
Spurning
F major and D minor each have one flat, B♭. Are they relative or parallel?
Svar
Relative. Their signatures match and their tonics differ.
Spjald 15
Spurning
A learner names F minor as the parallel minor of F♯ major. Keep the requested relationship and repair only the key name.
Svar
F♯ minor. A parallel key keeps the entire tonic name, including ♯.
Spjald 16
Spurning
C natural minor: C–D–E♭–F–G–A♭–B♭. What is degree 3 in its parallel major?
Svar
E. Raise E♭ by one semitone to restore the major third.
Spjald 17
Spurning
You start in E minor and need a major key with the same tonic. Which key do you choose?
Svar
E major. Keeping the tonic makes this a parallel relationship.
Spjald 18
Spurning
F♯ major: F♯–G♯–A♯–B–C♯–D♯–E♯. What is degree 6 in F♯ natural minor?
Svar
D. Lower D♯ by one semitone, preserving its letter.
Spjald 19
Spurning
A melody ends on A. With no signature or harmonic context supplied, does that last note prove A minor?
Svar
No. A final A alone doesn’t establish the tonal center or mode; examine the surrounding melody and harmony.
Spjald 20
Spurning
E♭ major’s degree 6 is C. For E♭ natural minor, a learner writes B because it sounds like the needed pitch in equal temperament. Repair only the degree-6 spelling.
Svar
C♭. Lower C by one semitone and retain the degree’s C letter.
Spjald 21
Spurning
G major and E minor both use F♯ in their signatures. How are these two keys related?
Svar
Relative. They share a signature while using different tonics and modes.
Spjald 22
Spurning
A♭ natural minor: A♭–B♭–C♭–D♭–E♭–F♭–G♭. What is degree 7 in A♭ major?
Svar
G. Raise G♭ by one semitone; the letter stays G.
Spjald 23
Spurning
G natural minor begins G–A–B♭. A learner calls G major its relative major. Keep the relative relationship and repair the key name.
Svar
B♭ major. The relative major starts on natural minor’s third degree, B♭.
Spjald 24
Spurning
A major: A–B–C♯–D–E–F♯–G♯. What is degree 3 in A natural minor?
Svar
C. Lower C♯ by one semitone; don’t add a flat after cancelling the sharp.
Spjald 25
Spurning
C major has no signature accidentals; G minor has B♭ and E♭. Are these keys relative, parallel, or neither?
Svar
Neither. Their signatures differ, and C and G are different tonics.
Spjald 26
Spurning
In B minor, A♯ appears as the raised seventh of harmonic minor. Does that make A♯ part of B minor’s key signature?
Svar
No. B minor’s signature still has F♯ and C♯; A♯ is a local alteration of the natural-minor A.
Spjald 27
Spurning
E♭ natural minor: E♭–F–G♭–A♭–B♭–C♭–D♭. What is degree 6 in E♭ major?
Svar
C. Raise C♭ by one semitone to restore the major sixth.
Spjald 28
Spurning
C natural minor’s degree 6 is A♭. A learner lowers it again to build C major. What note should replace that attempted degree 6?
Svar
A. Moving from natural minor to parallel major raises degree 6 by one semitone.
Spjald 29
Spurning
C♯ major: C♯–D♯–E♯–F♯–G♯–A♯–B♯. Which minor key keeps that scale’s tonic?
Svar
C♯ minor. The tonic stays C♯ in the parallel minor, even though the signature changes.
Spjald 30
Spurning
E major: E–F♯–G♯–A–B–C♯–D♯. What is degree 7 in E natural minor?
Svar
D. Lower D♯ by one semitone; E natural minor uses D natural.
Spjald 31
Spurning
F major’s degree 3 is A. A learner uses G♯ for degree 3 of F natural minor. Keep the intended pitch in equal temperament and repair only its spelling.
Svar
A♭. Degree 3 needs the letter A; G♯ would repeat the second degree’s G letter.
Spjald 32
Spurning
B♭ natural minor begins B♭–C–D♭. Which major key shares its signature?
Svar
D♭ major. The third degree supplies the relative major tonic; both keys have five flats.
Spjald 33
Spurning
C♯ natural minor: C♯–D♯–E–F♯–G♯–A–B. What is degree 3 in C♯ major?
Svar
E♯. Raise E by one semitone and keep the E letter, even though E♯ sounds like F in equal temperament.
Spjald 34
Spurning
Someone asks for “the minor key related to F major.” Is that enough to choose uniquely between a relative and a parallel minor?
Svar
No. Ask whether to keep the signature or the tonic; “related” doesn’t specify which relationship they want.
Spjald 35
Spurning
A learner claims G major and G minor must share a signature because they are parallel. Repair only the signature claim.
Svar
Their signatures differ: G major has F♯; G minor has B♭ and E♭. Parallel keys keep the tonic, not the signature.
Spjald 36
Spurning
A♭ major: A♭–B♭–C–D♭–E♭–F–G. What is degree 6 in A♭ natural minor?
Svar
F♭. Lower F by one semitone and keep its letter; E would be the wrong degree spelling.
Spjald 37
Spurning
F♯ major and D♯ minor both have six sharps in their signatures. Which relationship fits?
Svar
Relative. Their signatures match, while their tonic names differ.
Spjald 38
Spurning
C♯ natural minor’s degree 7 is B. A learner uses C for degree 7 of C♯ major. Keep the intended pitch in equal temperament and repair only its spelling.
Svar
B♯. Raise B by one semitone, retaining the seventh degree’s B letter.
Spjald 39
Spurning
E minor’s natural seventh is D; harmonic minor raises it to D♯ locally. Does that alteration change E minor’s relative major from G major?
Svar
No. E minor and G major still share the one-sharp signature; a local D♯ doesn’t redefine that relationship.
Spjald 40
Spurning
F natural minor: F–G–A♭–B♭–C–D♭–E♭. What is degree 7 in F major?
Svar
E. Raise E♭ by one semitone to restore the major seventh.
Spjald 41
Spurning
A major uses three sharps; A minor uses none. Can they still be parallel keys?
Svar
Yes. Both use tonic A. Parallel keys don’t need matching signatures.
Spjald 42
Spurning
E major’s degree 3 is G♯. A learner changes it to G♭ for E natural minor. Replace only the incorrect note.
Svar
G. The move is one semitone down from G♯, not two.
Spjald 43
Spurning
G natural minor: G–A–B♭–C–D–E♭–F. What is degree 6 in G major?
Svar
E. Raise E♭ by one semitone, retaining its letter.
Spjald 44
Spurning
C natural minor begins C–D–E♭. You need the major key with the same signature. Which key fits?
Svar
E♭ major. Degree 3 supplies the relative major tonic; both keys have three flats.
Spjald 45
Spurning
C♯ major and C minor have the same tonic letter. Does that alone make them parallel keys?
Svar
No. C♯ and C are different tonics; a matching letter without its accidental is insufficient.
Spjald 46
Spurning
B natural minor: B–C♯–D–E–F♯–G–A. What is degree 3 in B major?
Svar
D♯. Raise D by one semitone to restore the major third.
Spjald 47
Spurning
A learner uses E for degree 6 of A♭ natural minor. Keep the intended pitch in equal temperament and use the correct scale-degree letter. Repair only the note spelling.
Svar
F♭. The sixth degree must use F; E already names the fifth degree’s letter.
Spjald 48
Spurning
Starting from E major, can a minor key keep both its tonic E and its four-sharp signature?
Svar
No. E minor keeps the tonic but has one sharp; C♯ minor keeps the four-sharp signature but changes the tonic.
48 spjöld
Relative vs Parallel Minor Flashcards: Scale Spelling & Repairs
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