Music Interval Flashcards: Size, Quality & Note Spelling
Installable practice for interval names, semitone counts, inversions, identification, and spelling-aware construction in written music theory.
Informazioni su questo mazzo
Written intervals get slippery when letter count, semitone distance, and spelling point in different directions. This 181-card deck turns those compact rules into retrieval practice for simple intervals from P1 through P8 in common Western written music theory and 12-tone equal temperament.
The sequence starts with size and quality families, abbreviations, and the conventional semitone chart. It then covers inversion pairs before moving into 48 note-pair identification prompts and 48 construction prompts. Cards practice interval name → semitone count, conventional semitone count → interval name, written notes → size and quality, and named interval + starting note → one correctly spelled upper note. Selected enharmonic contrasts show why equal semitone spans can carry different written names.
Reverse semitone cards use the conventional perfect/major/minor chart plus both tritone spellings. Other augmented and diminished enharmonic names appear only in selected contrast cards, not as an exhaustive reverse mapping. There is no audio, ear training, staff notation, compound intervals, exhaustive transposition grid, every enharmonic permutation, or course-specific grading.
The facts are common-knowledge music fundamentals checked against open educational references. CC0 applies to the original card wording, selection, ordering, metadata, and generated cover to the extent those elements carry rights; no ownership is claimed over musical facts.
This is an independent fundamentals deck. It supports written practice rather than replacing notation exercises, ear training, a course, teacher guidance, or a particular exam syllabus.
Carte in questo mazzo
Carta 1
Domanda
In written music theory, what is an interval?
Risposta
The distance between two pitches. A written interval is named by its number and quality.
Carta 2
Domanda
How does a major interval compare with the minor interval of the same number?
Risposta
A major interval is one semitone wider. The written interval number stays the same.
Carta 3
Domanda
How do you find an interval number from two written note names?
Risposta
Count letter names inclusively from the lower note to the upper note. C–E counts C, D, E, so it is a third.
Carta 4
Domanda
What quality results when a major or perfect interval widens by one semitone without changing its number?
Risposta
Augmented. For example, widening C–F from P4 to C–F♯ produces A4.
Carta 5
Domanda
Which interval numbers belong to the perfect family?
Risposta
Unisons, fourths, fifths, and octaves: 1, 4, 5, and 8.
Carta 6
Domanda
What two parts make a specific written interval name?
Risposta
Quality and number. For example, “major third” combines the quality major with the number third.
Carta 7
Domanda
How does a minor interval compare with the major interval of the same number?
Risposta
A minor interval is one semitone narrower. The written interval number stays the same.
Carta 8
Domanda
Do accidentals change an interval's generic number?
Risposta
No. The written letter names set the number; accidentals can change the quality.
Carta 9
Domanda
What quality results when a minor or perfect interval narrows by one semitone without changing its number?
Risposta
Diminished. For example, narrowing C–G from P5 to C–G♭ produces d5.
Carta 10
Domanda
Which interval numbers belong to the major/minor family?
Risposta
Seconds, thirds, sixths, and sevenths: 2, 3, 6, and 7.
Carta 11
Domanda
Which comes first when naming an interval: quality or number?
Risposta
Quality comes first. Say “minor third,” not “third minor.”
Carta 12
Domanda
What is a simple interval?
Risposta
An interval from a unison through an octave. Intervals larger than an octave are compound and are outside this deck's scope.
Carta 13
Domanda
What does the interval abbreviation P1 mean?
Risposta
Perfect unison.
Carta 14
Domanda
What does the interval abbreviation m2 mean?
Risposta
Minor second.
Carta 15
Domanda
What does the interval abbreviation M2 mean?
Risposta
Major second.
Carta 16
Domanda
What does the interval abbreviation m3 mean?
Risposta
Minor third.
Carta 17
Domanda
What does the interval abbreviation M3 mean?
Risposta
Major third.
Carta 18
Domanda
What does the interval abbreviation P4 mean?
Risposta
Perfect fourth.
Carta 19
Domanda
What does the interval abbreviation A4 mean?
Risposta
Augmented fourth.
Carta 20
Domanda
What does the interval abbreviation P5 mean?
Risposta
Perfect fifth.
Carta 21
Domanda
What does the interval abbreviation m6 mean?
Risposta
Minor sixth.
Carta 22
Domanda
What does the interval abbreviation M6 mean?
Risposta
Major sixth.
Carta 23
Domanda
What does the interval abbreviation d5 mean?
Risposta
Diminished fifth.
Carta 24
Domanda
What does the interval abbreviation m7 mean?
Risposta
Minor seventh.
Carta 25
Domanda
What does the interval abbreviation M7 mean?
Risposta
Major seventh.
Carta 26
Domanda
What does the interval abbreviation P8 mean?
Risposta
Perfect octave.
Carta 27
Domanda
How many semitones does a perfect unison (P1) span in 12-TET?
Risposta
0 semitones.
Carta 28
Domanda
How many semitones does a minor second (m2) span in 12-TET?
Risposta
1 semitone.
Carta 29
Domanda
How many semitones does a major second (M2) span in 12-TET?
Risposta
2 semitones.
Carta 30
Domanda
How many semitones does a minor third (m3) span in 12-TET?
Risposta
3 semitones.
Carta 31
Domanda
How many semitones does a major third (M3) span in 12-TET?
Risposta
4 semitones.
Carta 32
Domanda
How many semitones does a perfect fourth (P4) span in 12-TET?
Risposta
5 semitones.
Carta 33
Domanda
How many semitones does an augmented fourth (A4) span in 12-TET?
Risposta
6 semitones.
Carta 34
Domanda
How many semitones does a perfect fifth (P5) span in 12-TET?
Risposta
7 semitones.
Carta 35
Domanda
How many semitones does a minor sixth (m6) span in 12-TET?
Risposta
8 semitones.
Carta 36
Domanda
How many semitones does a major sixth (M6) span in 12-TET?
Risposta
9 semitones.
Carta 37
Domanda
How many semitones does a diminished fifth (d5) span in 12-TET?
Risposta
6 semitones.
Carta 38
Domanda
How many semitones does a minor seventh (m7) span in 12-TET?
Risposta
10 semitones.
Carta 39
Domanda
How many semitones does a major seventh (M7) span in 12-TET?
Risposta
11 semitones.
Carta 40
Domanda
How many semitones does a perfect octave (P8) span in 12-TET?
Risposta
12 semitones.
Carta 41
Domanda
In the conventional simple-interval chart, what interval spans 0 semitones?
Risposta
A perfect unison (P1). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 42
Domanda
In the conventional simple-interval chart, what interval spans 1 semitone?
Risposta
A minor second (m2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 43
Domanda
In the conventional simple-interval chart, what interval spans 2 semitones?
Risposta
A major second (M2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 44
Domanda
In the conventional simple-interval chart, what interval spans 3 semitones?
Risposta
A minor third (m3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 45
Domanda
In the conventional simple-interval chart, what interval spans 4 semitones?
Risposta
A major third (M3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 46
Domanda
In the conventional simple-interval chart, what interval spans 5 semitones?
Risposta
A perfect fourth (P4). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 47
Domanda
In the conventional simple-interval chart, what interval spans 6 semitones?
Risposta
An augmented fourth (A4) or diminished fifth (d5). Six semitones does not fix the written number; note spelling distinguishes A4 from d5.
Carta 48
Domanda
In the conventional simple-interval chart, what interval spans 7 semitones?
Risposta
A perfect fifth (P5). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 49
Domanda
In the conventional simple-interval chart, what interval spans 8 semitones?
Risposta
A minor sixth (m6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 50
Domanda
In the conventional simple-interval chart, what interval spans 9 semitones?
Risposta
A major sixth (M6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 51
Domanda
In the conventional simple-interval chart, what interval spans 10 semitones?
Risposta
A minor seventh (m7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 52
Domanda
In the conventional simple-interval chart, what interval spans 11 semitones?
Risposta
A major seventh (M7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 53
Domanda
In the conventional simple-interval chart, what interval spans 12 semitones?
Risposta
A perfect octave (P8). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.
Carta 54
Domanda
What does it mean to invert a simple interval?
Risposta
Move the lower note up an octave, or the upper note down an octave, so their order reverses.
Carta 55
Domanda
Which interval number is the inversion partner of a unison?
Risposta
An octave. Unisons and octaves form the 1 ↔ 8 inversion pair.
Carta 56
Domanda
How does perfect quality change under interval inversion?
Risposta
It stays perfect. A perfect interval inverts to another perfect interval.
Carta 57
Domanda
Which interval number is the inversion partner of a second?
Risposta
A seventh. Seconds and sevenths form the 2 ↔ 7 inversion pair.
Carta 58
Domanda
What do the numbers of a simple interval and its inversion add up to?
Risposta
- For example, a third inverts to a sixth because 3 + 6 = 9.
Carta 59
Domanda
How do major and minor qualities change under interval inversion?
Risposta
They swap. Major inverts to minor, and minor inverts to major.
Carta 60
Domanda
Which interval number is the inversion partner of a third?
Risposta
A sixth. Thirds and sixths form the 3 ↔ 6 inversion pair.
Carta 61
Domanda
How do augmented and diminished qualities change under interval inversion?
Risposta
They swap. Augmented inverts to diminished, and diminished inverts to augmented.
Carta 62
Domanda
How many semitones do a simple interval and its octave inversion span in total?
Risposta
12 semitones. Their two spans complete an octave.
Carta 63
Domanda
Which interval number is the inversion partner of a fourth?
Risposta
A fifth. Fourths and fifths form the 4 ↔ 5 inversion pair.
Carta 64
Domanda
What is the inversion of a perfect unison (P1)?
Risposta
A perfect octave (P8).
Carta 65
Domanda
What is the inversion of a minor second (m2)?
Risposta
A major seventh (M7).
Carta 66
Domanda
What is the inversion of a major second (M2)?
Risposta
A minor seventh (m7).
Carta 67
Domanda
What is the inversion of a minor third (m3)?
Risposta
A major sixth (M6).
Carta 68
Domanda
What is the inversion of a major third (M3)?
Risposta
A minor sixth (m6).
Carta 69
Domanda
What is the inversion of a perfect fourth (P4)?
Risposta
A perfect fifth (P5).
Carta 70
Domanda
What is the inversion of an augmented fourth (A4)?
Risposta
A diminished fifth (d5).
Carta 71
Domanda
What is the inversion of a perfect octave (P8)?
Risposta
A perfect unison (P1).
Carta 72
Domanda
What is the inversion of a major seventh (M7)?
Risposta
A minor second (m2).
Carta 73
Domanda
What is the inversion of a minor seventh (m7)?
Risposta
A major second (M2).
Carta 74
Domanda
What is the inversion of a major sixth (M6)?
Risposta
A minor third (m3).
Carta 75
Domanda
What is the inversion of a minor sixth (m6)?
Risposta
A major third (M3).
Carta 76
Domanda
What is the inversion of a perfect fifth (P5)?
Risposta
A perfect fourth (P4).
Carta 77
Domanda
What is the inversion of a diminished fifth (d5)?
Risposta
An augmented fourth (A4).
Carta 78
Domanda
Written interval C4 → C4?
Risposta
Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.
Carta 79
Domanda
Ascending written interval F♯4 → G4?
Risposta
Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.
Carta 80
Domanda
Ascending written interval D4 → F♯4?
Risposta
Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.
Carta 81
Domanda
Ascending written interval C4 → F4?
Risposta
Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.
Carta 82
Domanda
Ascending written interval E4 → C5?
Risposta
Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.
Carta 83
Domanda
Ascending written interval E♭4 → D5?
Risposta
Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.
Carta 84
Domanda
Ascending written interval C4 → G4?
Risposta
Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.
Carta 85
Domanda
Ascending written interval D♭4 → G4?
Risposta
Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.
Carta 86
Domanda
Ascending written interval C4 → D4?
Risposta
Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.
Carta 87
Domanda
Ascending written interval D4 → F4?
Risposta
Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.
Carta 88
Domanda
Ascending written interval C4 → A4?
Risposta
Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.
Carta 89
Domanda
Ascending written interval D4 → A♭4?
Risposta
Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.
Carta 90
Domanda
Ascending written interval F♯4 → E5?
Risposta
Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.
Carta 91
Domanda
Ascending written interval C4 → C5?
Risposta
Perfect octave (P8). The note letters make an octave, and the pitches span 12 semitones in 12-TET.
181 carte
Music Interval Flashcards: Size, Quality & Note Spelling
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Carta 92
Domanda
Written interval F♯4 → F♯4?
Risposta
Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.
Carta 93
Domanda
Ascending written interval C4 → D♭4?
Risposta
Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.
Carta 94
Domanda
Ascending written interval B♭3 → D4?
Risposta
Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.
Carta 95
Domanda
Ascending written interval D4 → G4?
Risposta
Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.
Carta 96
Domanda
Ascending written interval F♯4 → D5?
Risposta
Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.
Carta 97
Domanda
Ascending written interval C4 → B4?
Risposta
Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.
Carta 98
Domanda
Ascending written interval F♯4 → C♯5?
Risposta
Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.
Carta 99
Domanda
Ascending written interval C4 → F♯4?
Risposta
Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.
Carta 100
Domanda
Ascending written interval E4 → F♯4?
Risposta
Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.
Carta 101
Domanda
Ascending written interval A3 → C4?
Risposta
Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.
Carta 102
Domanda
Ascending written interval F♯4 → D♯5?
Risposta
Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.
Carta 103
Domanda
Ascending written interval C4 → G♭4?
Risposta
Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.
Carta 104
Domanda
Ascending written interval D4 → C5?
Risposta
Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.
Carta 105
Domanda
Ascending written interval E4 → F4?
Risposta
Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.
Carta 106
Domanda
Ascending written interval C4 → E4?
Risposta
Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.
Carta 107
Domanda
Ascending written interval F♯4 → B4?
Risposta
Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.
Carta 108
Domanda
Ascending written interval C4 → A♭4?
Risposta
Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.
Carta 109
Domanda
Ascending written interval F♯4 → E♯5?
Risposta
Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.
Carta 110
Domanda
Ascending written interval B♭3 → F4?
Risposta
Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.
Carta 111
Domanda
Ascending written interval F4 → B4?
Risposta
Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.
Carta 112
Domanda
Ascending written interval F♯4 → G♯4?
Risposta
Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.
Carta 113
Domanda
Ascending written interval C4 → E♭4?
Risposta
Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.
Carta 114
Domanda
Ascending written interval E♭4 → C5?
Risposta
Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.
Carta 115
Domanda
Ascending written interval F♯4 → C5?
Risposta
Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.
Carta 116
Domanda
Ascending written interval B♭3 → A♭4?
Risposta
Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.
Carta 117
Domanda
Ascending written interval B3 → C4?
Risposta
Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.
Carta 118
Domanda
Ascending written interval F♯4 → A♯4?
Risposta
Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.
Carta 119
Domanda
Ascending written interval B♭3 → E♭4?
Risposta
Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.
Carta 120
Domanda
Ascending written interval A3 → F4?
Risposta
Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.
Carta 121
Domanda
Ascending written interval D4 → A4?
Risposta
Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.
Carta 122
Domanda
Ascending written interval B♭3 → C4?
Risposta
Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.
Carta 123
Domanda
Ascending written interval F♯4 → A4?
Risposta
Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.
Carta 124
Domanda
Ascending written interval A3 → F♯4?
Risposta
Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.
Carta 125
Domanda
Ascending written interval C4 → B♭4?
Risposta
Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.
Carta 126
Domanda
Perfect unison from C4?
Risposta
C4. The spelling makes a unison, and the pitches span 0 semitones in 12-TET.
Carta 127
Domanda
Minor second above F♯4?
Risposta
G4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.
Carta 128
Domanda
Major third above C4?
Risposta
E4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.
Carta 129
Domanda
Perfect fourth above B♭3?
Risposta
E♭4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.
Carta 130
Domanda
Minor sixth above C4?
Risposta
A♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.
Carta 131
Domanda
Major seventh above B♭3?
Risposta
A4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.
Carta 132
Domanda
Perfect fifth above E4?
Risposta
B4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.
Carta 133
Domanda
Augmented fourth above D♭4?
Risposta
G4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.
Carta 134
Domanda
Major second above C4?
Risposta
D4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.
Carta 135
Domanda
Minor third above B♭3?
Risposta
D♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.
Carta 136
Domanda
Major sixth above E4?
Risposta
C♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.
Carta 137
Domanda
Diminished fifth above C4?
Risposta
G♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.
Carta 138
Domanda
Minor seventh above D4?
Risposta
C5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.
Carta 139
Domanda
Perfect octave above E♭4?
Risposta
E♭5. The spelling makes an octave, and the pitches span 12 semitones in 12-TET.
Carta 140
Domanda
Minor second above C4?
Risposta
D♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.
Carta 141
Domanda
Major third above E♭4?
Risposta
G4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.
Carta 142
Domanda
Perfect fourth above C4?
Risposta
F4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.
Carta 143
Domanda
Minor sixth above B♭3?
Risposta
G♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.
Carta 144
Domanda
Major seventh above C4?
Risposta
B4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.
Carta 145
Domanda
Perfect fifth above B♭3?
Risposta
F4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.
Carta 146
Domanda
Augmented fourth above C4?
Risposta
F♯4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.
Carta 147
Domanda
Major second above E♭4?
Risposta
F4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.
Carta 148
Domanda
Minor third above F♯4?
Risposta
A4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.
Carta 149
Domanda
Major sixth above C4?
Risposta
A4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.
Carta 150
Domanda
Diminished fifth above D4?
Risposta
A♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.
Carta 151
Domanda
Minor seventh above F♯4?
Risposta
E5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.
Carta 152
Domanda
Minor second above E4?
Risposta
F4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.
Carta 153
Domanda
Major third above F♯4?
Risposta
A♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.
Carta 154
Domanda
Perfect fourth above D4?
Risposta
G4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.
Carta 155
Domanda
Minor sixth above F♯4?
Risposta
D5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.
Carta 156
Domanda
Major seventh above E4?
Risposta
D♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.
Carta 157
Domanda
Perfect fifth above F♯4?
Risposta
C♯5. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.
Carta 158
Domanda
Augmented fourth above F4?
Risposta
B4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.
Carta 159
Domanda
Major second above B3?
Risposta
C♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.
Carta 160
Domanda
Minor third above C4?
Risposta
E♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.
Carta 161
Domanda
Major sixth above F♯4?
Risposta
D♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.
Carta 162
Domanda
Diminished fifth above B♭3?
Risposta
F♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.
Carta 163
Domanda
Minor seventh above E♭4?
Risposta
D♭5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.
Carta 164
Domanda
Minor second above B♭3?
Risposta
C♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.
Carta 165
Domanda
Major third above D4?
Risposta
F♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.
Carta 166
Domanda
Perfect fourth above F♯4?
Risposta
B4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.
Carta 167
Domanda
Minor sixth above E4?
Risposta
C5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.
Carta 168
Domanda
Major seventh above F♯4?
Risposta
E♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.
Carta 169
Domanda
Perfect fifth above C4?
Risposta
G4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.
Carta 170
Domanda
Major second above F♯4?
Risposta
G♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.
Carta 171
Domanda
Minor third above E4?
Risposta
G4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.
Carta 172
Domanda
Major sixth above B♭3?
Risposta
G4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.
Carta 173
Domanda
Minor seventh above C4?
Risposta
B♭4. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.
Carta 174
Domanda
Why are C4 → F♯4 and C4 → G♭4 different written intervals even though both span 6 semitones?
Risposta
Their note letters set different numbers. C–F♯ is an augmented fourth (A4), while C–G♭ is a diminished fifth (d5).
Carta 175
Domanda
Why are C4 → C♯4 and C4 → D♭4 different written intervals even though both span 1 semitone?
Risposta
Their spellings set different numbers. C–C♯ is an augmented unison (A1), while C–D♭ is a minor second (m2).
Carta 176
Domanda
Why are C4 → D♯4 and C4 → E♭4 different written intervals even though both span 3 semitones?
Risposta
Their spellings set different numbers. C–D♯ is an augmented second (A2), while C–E♭ is a minor third (m3).
Carta 177
Domanda
Why are C4 → F♭4 and C4 → E4 different written intervals even though both span 4 semitones?
Risposta
Their spellings set different numbers. C–F♭ is a diminished fourth (d4), while C–E is a major third (M3).
Carta 178
Domanda
Why are C4 → G♯4 and C4 → A♭4 different written intervals even though both span 8 semitones?
Risposta
Their spellings set different numbers. C–G♯ is an augmented fifth (A5), while C–A♭ is a minor sixth (m6).
Carta 179
Domanda
Why are C4 → A♯4 and C4 → B♭4 different written intervals even though both span 10 semitones?
Risposta
Their spellings set different numbers. C–A♯ is an augmented sixth (A6), while C–B♭ is a minor seventh (m7).
Carta 180
Domanda
Why are C4 → B♯4 and C4 → C5 different written intervals even though both span 12 semitones?
Risposta
Their spellings set different numbers. C–B♯ is an augmented seventh (A7), while C–C is a perfect octave (P8).
Carta 181
Domanda
Why can semitone count alone fail to identify a written interval?
Risposta
Semitone count gives chromatic distance, but the note letters give the interval number. You need both number and semitone distance to determine the written quality.
181 carte
Music Interval Flashcards: Size, Quality & Note Spelling
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