Music Interval Flashcards: Size, Quality & Note Spelling

Installable practice for interval names, semitone counts, inversions, identification, and spelling-aware construction in written music theory.

O tej talii

Written intervals get slippery when letter count, semitone distance, and spelling point in different directions. This 181-card deck turns those compact rules into retrieval practice for simple intervals from P1 through P8 in common Western written music theory and 12-tone equal temperament.

The sequence starts with size and quality families, abbreviations, and the conventional semitone chart. It then covers inversion pairs before moving into 48 note-pair identification prompts and 48 construction prompts. Cards practice interval name → semitone count, conventional semitone count → interval name, written notes → size and quality, and named interval + starting note → one correctly spelled upper note. Selected enharmonic contrasts show why equal semitone spans can carry different written names.

Reverse semitone cards use the conventional perfect/major/minor chart plus both tritone spellings. Other augmented and diminished enharmonic names appear only in selected contrast cards, not as an exhaustive reverse mapping. There is no audio, ear training, staff notation, compound intervals, exhaustive transposition grid, every enharmonic permutation, or course-specific grading.

The facts are common-knowledge music fundamentals checked against open educational references. CC0 applies to the original card wording, selection, ordering, metadata, and generated cover to the extent those elements carry rights; no ownership is claimed over musical facts.

This is an independent fundamentals deck. It supports written practice rather than replacing notation exercises, ear training, a course, teacher guidance, or a particular exam syllabus.

Karty w tej talii

  1. Karta 1

    Pytanie

    In written music theory, what is an interval?

    Odpowiedź

    The distance between two pitches. A written interval is named by its number and quality.

  2. Karta 2

    Pytanie

    How does a major interval compare with the minor interval of the same number?

    Odpowiedź

    A major interval is one semitone wider. The written interval number stays the same.

  3. Karta 3

    Pytanie

    How do you find an interval number from two written note names?

    Odpowiedź

    Count letter names inclusively from the lower note to the upper note. C–E counts C, D, E, so it is a third.

  4. Karta 4

    Pytanie

    What quality results when a major or perfect interval widens by one semitone without changing its number?

    Odpowiedź

    Augmented. For example, widening C–F from P4 to C–F♯ produces A4.

  5. Karta 5

    Pytanie

    Which interval numbers belong to the perfect family?

    Odpowiedź

    Unisons, fourths, fifths, and octaves: 1, 4, 5, and 8.

  6. Karta 6

    Pytanie

    What two parts make a specific written interval name?

    Odpowiedź

    Quality and number. For example, “major third” combines the quality major with the number third.

  7. Karta 7

    Pytanie

    How does a minor interval compare with the major interval of the same number?

    Odpowiedź

    A minor interval is one semitone narrower. The written interval number stays the same.

  8. Karta 8

    Pytanie

    Do accidentals change an interval's generic number?

    Odpowiedź

    No. The written letter names set the number; accidentals can change the quality.

  9. Karta 9

    Pytanie

    What quality results when a minor or perfect interval narrows by one semitone without changing its number?

    Odpowiedź

    Diminished. For example, narrowing C–G from P5 to C–G♭ produces d5.

  10. Karta 10

    Pytanie

    Which interval numbers belong to the major/minor family?

    Odpowiedź

    Seconds, thirds, sixths, and sevenths: 2, 3, 6, and 7.

  11. Karta 11

    Pytanie

    Which comes first when naming an interval: quality or number?

    Odpowiedź

    Quality comes first. Say “minor third,” not “third minor.”

  12. Karta 12

    Pytanie

    What is a simple interval?

    Odpowiedź

    An interval from a unison through an octave. Intervals larger than an octave are compound and are outside this deck's scope.

  13. Karta 13

    Pytanie

    What does the interval abbreviation P1 mean?

    Odpowiedź

    Perfect unison.

  14. Karta 14

    Pytanie

    What does the interval abbreviation m2 mean?

    Odpowiedź

    Minor second.

  15. Karta 15

    Pytanie

    What does the interval abbreviation M2 mean?

    Odpowiedź

    Major second.

  16. Karta 16

    Pytanie

    What does the interval abbreviation m3 mean?

    Odpowiedź

    Minor third.

  17. Karta 17

    Pytanie

    What does the interval abbreviation M3 mean?

    Odpowiedź

    Major third.

  18. Karta 18

    Pytanie

    What does the interval abbreviation P4 mean?

    Odpowiedź

    Perfect fourth.

  19. Karta 19

    Pytanie

    What does the interval abbreviation A4 mean?

    Odpowiedź

    Augmented fourth.

  20. Karta 20

    Pytanie

    What does the interval abbreviation P5 mean?

    Odpowiedź

    Perfect fifth.

  21. Karta 21

    Pytanie

    What does the interval abbreviation m6 mean?

    Odpowiedź

    Minor sixth.

  22. Karta 22

    Pytanie

    What does the interval abbreviation M6 mean?

    Odpowiedź

    Major sixth.

  23. Karta 23

    Pytanie

    What does the interval abbreviation d5 mean?

    Odpowiedź

    Diminished fifth.

  24. Karta 24

    Pytanie

    What does the interval abbreviation m7 mean?

    Odpowiedź

    Minor seventh.

  25. Karta 25

    Pytanie

    What does the interval abbreviation M7 mean?

    Odpowiedź

    Major seventh.

  26. Karta 26

    Pytanie

    What does the interval abbreviation P8 mean?

    Odpowiedź

    Perfect octave.

  27. Karta 27

    Pytanie

    How many semitones does a perfect unison (P1) span in 12-TET?

    Odpowiedź

    0 semitones.

  28. Karta 28

    Pytanie

    How many semitones does a minor second (m2) span in 12-TET?

    Odpowiedź

    1 semitone.

  29. Karta 29

    Pytanie

    How many semitones does a major second (M2) span in 12-TET?

    Odpowiedź

    2 semitones.

  30. Karta 30

    Pytanie

    How many semitones does a minor third (m3) span in 12-TET?

    Odpowiedź

    3 semitones.

  31. Karta 31

    Pytanie

    How many semitones does a major third (M3) span in 12-TET?

    Odpowiedź

    4 semitones.

  32. Karta 32

    Pytanie

    How many semitones does a perfect fourth (P4) span in 12-TET?

    Odpowiedź

    5 semitones.

  33. Karta 33

    Pytanie

    How many semitones does an augmented fourth (A4) span in 12-TET?

    Odpowiedź

    6 semitones.

  34. Karta 34

    Pytanie

    How many semitones does a perfect fifth (P5) span in 12-TET?

    Odpowiedź

    7 semitones.

  35. Karta 35

    Pytanie

    How many semitones does a minor sixth (m6) span in 12-TET?

    Odpowiedź

    8 semitones.

  36. Karta 36

    Pytanie

    How many semitones does a major sixth (M6) span in 12-TET?

    Odpowiedź

    9 semitones.

  37. Karta 37

    Pytanie

    How many semitones does a diminished fifth (d5) span in 12-TET?

    Odpowiedź

    6 semitones.

  38. Karta 38

    Pytanie

    How many semitones does a minor seventh (m7) span in 12-TET?

    Odpowiedź

    10 semitones.

  39. Karta 39

    Pytanie

    How many semitones does a major seventh (M7) span in 12-TET?

    Odpowiedź

    11 semitones.

  40. Karta 40

    Pytanie

    How many semitones does a perfect octave (P8) span in 12-TET?

    Odpowiedź

    12 semitones.

  41. Karta 41

    Pytanie

    In the conventional simple-interval chart, what interval spans 0 semitones?

    Odpowiedź

    A perfect unison (P1). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  42. Karta 42

    Pytanie

    In the conventional simple-interval chart, what interval spans 1 semitone?

    Odpowiedź

    A minor second (m2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  43. Karta 43

    Pytanie

    In the conventional simple-interval chart, what interval spans 2 semitones?

    Odpowiedź

    A major second (M2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  44. Karta 44

    Pytanie

    In the conventional simple-interval chart, what interval spans 3 semitones?

    Odpowiedź

    A minor third (m3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  45. Karta 45

    Pytanie

    In the conventional simple-interval chart, what interval spans 4 semitones?

    Odpowiedź

    A major third (M3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  46. Karta 46

    Pytanie

    In the conventional simple-interval chart, what interval spans 5 semitones?

    Odpowiedź

    A perfect fourth (P4). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  47. Karta 47

    Pytanie

    In the conventional simple-interval chart, what interval spans 6 semitones?

    Odpowiedź

    An augmented fourth (A4) or diminished fifth (d5). Six semitones does not fix the written number; note spelling distinguishes A4 from d5.

  48. Karta 48

    Pytanie

    In the conventional simple-interval chart, what interval spans 7 semitones?

    Odpowiedź

    A perfect fifth (P5). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  49. Karta 49

    Pytanie

    In the conventional simple-interval chart, what interval spans 8 semitones?

    Odpowiedź

    A minor sixth (m6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  50. Karta 50

    Pytanie

    In the conventional simple-interval chart, what interval spans 9 semitones?

    Odpowiedź

    A major sixth (M6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  51. Karta 51

    Pytanie

    In the conventional simple-interval chart, what interval spans 10 semitones?

    Odpowiedź

    A minor seventh (m7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  52. Karta 52

    Pytanie

    In the conventional simple-interval chart, what interval spans 11 semitones?

    Odpowiedź

    A major seventh (M7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  53. Karta 53

    Pytanie

    In the conventional simple-interval chart, what interval spans 12 semitones?

    Odpowiedź

    A perfect octave (P8). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  54. Karta 54

    Pytanie

    What does it mean to invert a simple interval?

    Odpowiedź

    Move the lower note up an octave, or the upper note down an octave, so their order reverses.

  55. Karta 55

    Pytanie

    Which interval number is the inversion partner of a unison?

    Odpowiedź

    An octave. Unisons and octaves form the 1 ↔ 8 inversion pair.

  56. Karta 56

    Pytanie

    How does perfect quality change under interval inversion?

    Odpowiedź

    It stays perfect. A perfect interval inverts to another perfect interval.

  57. Karta 57

    Pytanie

    Which interval number is the inversion partner of a second?

    Odpowiedź

    A seventh. Seconds and sevenths form the 2 ↔ 7 inversion pair.

  58. Karta 58

    Pytanie

    What do the numbers of a simple interval and its inversion add up to?

    Odpowiedź

    1. For example, a third inverts to a sixth because 3 + 6 = 9.
  59. Karta 59

    Pytanie

    How do major and minor qualities change under interval inversion?

    Odpowiedź

    They swap. Major inverts to minor, and minor inverts to major.

  60. Karta 60

    Pytanie

    Which interval number is the inversion partner of a third?

    Odpowiedź

    A sixth. Thirds and sixths form the 3 ↔ 6 inversion pair.

  61. Karta 61

    Pytanie

    How do augmented and diminished qualities change under interval inversion?

    Odpowiedź

    They swap. Augmented inverts to diminished, and diminished inverts to augmented.

  62. Karta 62

    Pytanie

    How many semitones do a simple interval and its octave inversion span in total?

    Odpowiedź

    12 semitones. Their two spans complete an octave.

  63. Karta 63

    Pytanie

    Which interval number is the inversion partner of a fourth?

    Odpowiedź

    A fifth. Fourths and fifths form the 4 ↔ 5 inversion pair.

  64. Karta 64

    Pytanie

    What is the inversion of a perfect unison (P1)?

    Odpowiedź

    A perfect octave (P8).

  65. Karta 65

    Pytanie

    What is the inversion of a minor second (m2)?

    Odpowiedź

    A major seventh (M7).

  66. Karta 66

    Pytanie

    What is the inversion of a major second (M2)?

    Odpowiedź

    A minor seventh (m7).

  67. Karta 67

    Pytanie

    What is the inversion of a minor third (m3)?

    Odpowiedź

    A major sixth (M6).

  68. Karta 68

    Pytanie

    What is the inversion of a major third (M3)?

    Odpowiedź

    A minor sixth (m6).

  69. Karta 69

    Pytanie

    What is the inversion of a perfect fourth (P4)?

    Odpowiedź

    A perfect fifth (P5).

  70. Karta 70

    Pytanie

    What is the inversion of an augmented fourth (A4)?

    Odpowiedź

    A diminished fifth (d5).

  71. Karta 71

    Pytanie

    What is the inversion of a perfect octave (P8)?

    Odpowiedź

    A perfect unison (P1).

  72. Karta 72

    Pytanie

    What is the inversion of a major seventh (M7)?

    Odpowiedź

    A minor second (m2).

  73. Karta 73

    Pytanie

    What is the inversion of a minor seventh (m7)?

    Odpowiedź

    A major second (M2).

  74. Karta 74

    Pytanie

    What is the inversion of a major sixth (M6)?

    Odpowiedź

    A minor third (m3).

  75. Karta 75

    Pytanie

    What is the inversion of a minor sixth (m6)?

    Odpowiedź

    A major third (M3).

  76. Karta 76

    Pytanie

    What is the inversion of a perfect fifth (P5)?

    Odpowiedź

    A perfect fourth (P4).

  77. Karta 77

    Pytanie

    What is the inversion of a diminished fifth (d5)?

    Odpowiedź

    An augmented fourth (A4).

  78. Karta 78

    Pytanie

    Written interval C4 → C4?

    Odpowiedź

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  79. Karta 79

    Pytanie

    Ascending written interval F♯4 → G4?

    Odpowiedź

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  80. Karta 80

    Pytanie

    Ascending written interval D4 → F♯4?

    Odpowiedź

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  81. Karta 81

    Pytanie

    Ascending written interval C4 → F4?

    Odpowiedź

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  82. Karta 82

    Pytanie

    Ascending written interval E4 → C5?

    Odpowiedź

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  83. Karta 83

    Pytanie

    Ascending written interval E♭4 → D5?

    Odpowiedź

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  84. Karta 84

    Pytanie

    Ascending written interval C4 → G4?

    Odpowiedź

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  85. Karta 85

    Pytanie

    Ascending written interval D♭4 → G4?

    Odpowiedź

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  86. Karta 86

    Pytanie

    Ascending written interval C4 → D4?

    Odpowiedź

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  87. Karta 87

    Pytanie

    Ascending written interval D4 → F4?

    Odpowiedź

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  88. Karta 88

    Pytanie

    Ascending written interval C4 → A4?

    Odpowiedź

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  89. Karta 89

    Pytanie

    Ascending written interval D4 → A♭4?

    Odpowiedź

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  90. Karta 90

    Pytanie

    Ascending written interval F♯4 → E5?

    Odpowiedź

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  91. Karta 91

    Pytanie

    Ascending written interval C4 → C5?

    Odpowiedź

    Perfect octave (P8). The note letters make an octave, and the pitches span 12 semitones in 12-TET.

    Abstract paired note forms connected by measured arcs across staff-like lines.

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  92. Karta 92

    Pytanie

    Written interval F♯4 → F♯4?

    Odpowiedź

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  93. Karta 93

    Pytanie

    Ascending written interval C4 → D♭4?

    Odpowiedź

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  94. Karta 94

    Pytanie

    Ascending written interval B♭3 → D4?

    Odpowiedź

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  95. Karta 95

    Pytanie

    Ascending written interval D4 → G4?

    Odpowiedź

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  96. Karta 96

    Pytanie

    Ascending written interval F♯4 → D5?

    Odpowiedź

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  97. Karta 97

    Pytanie

    Ascending written interval C4 → B4?

    Odpowiedź

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  98. Karta 98

    Pytanie

    Ascending written interval F♯4 → C♯5?

    Odpowiedź

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  99. Karta 99

    Pytanie

    Ascending written interval C4 → F♯4?

    Odpowiedź

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  100. Karta 100

    Pytanie

    Ascending written interval E4 → F♯4?

    Odpowiedź

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  101. Karta 101

    Pytanie

    Ascending written interval A3 → C4?

    Odpowiedź

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  102. Karta 102

    Pytanie

    Ascending written interval F♯4 → D♯5?

    Odpowiedź

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  103. Karta 103

    Pytanie

    Ascending written interval C4 → G♭4?

    Odpowiedź

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  104. Karta 104

    Pytanie

    Ascending written interval D4 → C5?

    Odpowiedź

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  105. Karta 105

    Pytanie

    Ascending written interval E4 → F4?

    Odpowiedź

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  106. Karta 106

    Pytanie

    Ascending written interval C4 → E4?

    Odpowiedź

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  107. Karta 107

    Pytanie

    Ascending written interval F♯4 → B4?

    Odpowiedź

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  108. Karta 108

    Pytanie

    Ascending written interval C4 → A♭4?

    Odpowiedź

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  109. Karta 109

    Pytanie

    Ascending written interval F♯4 → E♯5?

    Odpowiedź

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  110. Karta 110

    Pytanie

    Ascending written interval B♭3 → F4?

    Odpowiedź

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  111. Karta 111

    Pytanie

    Ascending written interval F4 → B4?

    Odpowiedź

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  112. Karta 112

    Pytanie

    Ascending written interval F♯4 → G♯4?

    Odpowiedź

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  113. Karta 113

    Pytanie

    Ascending written interval C4 → E♭4?

    Odpowiedź

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  114. Karta 114

    Pytanie

    Ascending written interval E♭4 → C5?

    Odpowiedź

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  115. Karta 115

    Pytanie

    Ascending written interval F♯4 → C5?

    Odpowiedź

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  116. Karta 116

    Pytanie

    Ascending written interval B♭3 → A♭4?

    Odpowiedź

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  117. Karta 117

    Pytanie

    Ascending written interval B3 → C4?

    Odpowiedź

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  118. Karta 118

    Pytanie

    Ascending written interval F♯4 → A♯4?

    Odpowiedź

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  119. Karta 119

    Pytanie

    Ascending written interval B♭3 → E♭4?

    Odpowiedź

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  120. Karta 120

    Pytanie

    Ascending written interval A3 → F4?

    Odpowiedź

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  121. Karta 121

    Pytanie

    Ascending written interval D4 → A4?

    Odpowiedź

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  122. Karta 122

    Pytanie

    Ascending written interval B♭3 → C4?

    Odpowiedź

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  123. Karta 123

    Pytanie

    Ascending written interval F♯4 → A4?

    Odpowiedź

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  124. Karta 124

    Pytanie

    Ascending written interval A3 → F♯4?

    Odpowiedź

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  125. Karta 125

    Pytanie

    Ascending written interval C4 → B♭4?

    Odpowiedź

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  126. Karta 126

    Pytanie

    Perfect unison from C4?

    Odpowiedź

    C4. The spelling makes a unison, and the pitches span 0 semitones in 12-TET.

  127. Karta 127

    Pytanie

    Minor second above F♯4?

    Odpowiedź

    G4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  128. Karta 128

    Pytanie

    Major third above C4?

    Odpowiedź

    E4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  129. Karta 129

    Pytanie

    Perfect fourth above B♭3?

    Odpowiedź

    E♭4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  130. Karta 130

    Pytanie

    Minor sixth above C4?

    Odpowiedź

    A♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  131. Karta 131

    Pytanie

    Major seventh above B♭3?

    Odpowiedź

    A4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  132. Karta 132

    Pytanie

    Perfect fifth above E4?

    Odpowiedź

    B4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  133. Karta 133

    Pytanie

    Augmented fourth above D♭4?

    Odpowiedź

    G4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  134. Karta 134

    Pytanie

    Major second above C4?

    Odpowiedź

    D4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  135. Karta 135

    Pytanie

    Minor third above B♭3?

    Odpowiedź

    D♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  136. Karta 136

    Pytanie

    Major sixth above E4?

    Odpowiedź

    C♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  137. Karta 137

    Pytanie

    Diminished fifth above C4?

    Odpowiedź

    G♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  138. Karta 138

    Pytanie

    Minor seventh above D4?

    Odpowiedź

    C5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  139. Karta 139

    Pytanie

    Perfect octave above E♭4?

    Odpowiedź

    E♭5. The spelling makes an octave, and the pitches span 12 semitones in 12-TET.

  140. Karta 140

    Pytanie

    Minor second above C4?

    Odpowiedź

    D♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  141. Karta 141

    Pytanie

    Major third above E♭4?

    Odpowiedź

    G4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  142. Karta 142

    Pytanie

    Perfect fourth above C4?

    Odpowiedź

    F4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  143. Karta 143

    Pytanie

    Minor sixth above B♭3?

    Odpowiedź

    G♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  144. Karta 144

    Pytanie

    Major seventh above C4?

    Odpowiedź

    B4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  145. Karta 145

    Pytanie

    Perfect fifth above B♭3?

    Odpowiedź

    F4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  146. Karta 146

    Pytanie

    Augmented fourth above C4?

    Odpowiedź

    F♯4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  147. Karta 147

    Pytanie

    Major second above E♭4?

    Odpowiedź

    F4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  148. Karta 148

    Pytanie

    Minor third above F♯4?

    Odpowiedź

    A4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  149. Karta 149

    Pytanie

    Major sixth above C4?

    Odpowiedź

    A4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  150. Karta 150

    Pytanie

    Diminished fifth above D4?

    Odpowiedź

    A♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  151. Karta 151

    Pytanie

    Minor seventh above F♯4?

    Odpowiedź

    E5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  152. Karta 152

    Pytanie

    Minor second above E4?

    Odpowiedź

    F4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  153. Karta 153

    Pytanie

    Major third above F♯4?

    Odpowiedź

    A♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  154. Karta 154

    Pytanie

    Perfect fourth above D4?

    Odpowiedź

    G4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  155. Karta 155

    Pytanie

    Minor sixth above F♯4?

    Odpowiedź

    D5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  156. Karta 156

    Pytanie

    Major seventh above E4?

    Odpowiedź

    D♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  157. Karta 157

    Pytanie

    Perfect fifth above F♯4?

    Odpowiedź

    C♯5. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  158. Karta 158

    Pytanie

    Augmented fourth above F4?

    Odpowiedź

    B4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  159. Karta 159

    Pytanie

    Major second above B3?

    Odpowiedź

    C♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  160. Karta 160

    Pytanie

    Minor third above C4?

    Odpowiedź

    E♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  161. Karta 161

    Pytanie

    Major sixth above F♯4?

    Odpowiedź

    D♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  162. Karta 162

    Pytanie

    Diminished fifth above B♭3?

    Odpowiedź

    F♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  163. Karta 163

    Pytanie

    Minor seventh above E♭4?

    Odpowiedź

    D♭5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  164. Karta 164

    Pytanie

    Minor second above B♭3?

    Odpowiedź

    C♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  165. Karta 165

    Pytanie

    Major third above D4?

    Odpowiedź

    F♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  166. Karta 166

    Pytanie

    Perfect fourth above F♯4?

    Odpowiedź

    B4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  167. Karta 167

    Pytanie

    Minor sixth above E4?

    Odpowiedź

    C5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  168. Karta 168

    Pytanie

    Major seventh above F♯4?

    Odpowiedź

    E♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  169. Karta 169

    Pytanie

    Perfect fifth above C4?

    Odpowiedź

    G4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  170. Karta 170

    Pytanie

    Major second above F♯4?

    Odpowiedź

    G♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  171. Karta 171

    Pytanie

    Minor third above E4?

    Odpowiedź

    G4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  172. Karta 172

    Pytanie

    Major sixth above B♭3?

    Odpowiedź

    G4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  173. Karta 173

    Pytanie

    Minor seventh above C4?

    Odpowiedź

    B♭4. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  174. Karta 174

    Pytanie

    Why are C4 → F♯4 and C4 → G♭4 different written intervals even though both span 6 semitones?

    Odpowiedź

    Their note letters set different numbers. C–F♯ is an augmented fourth (A4), while C–G♭ is a diminished fifth (d5).

  175. Karta 175

    Pytanie

    Why are C4 → C♯4 and C4 → D♭4 different written intervals even though both span 1 semitone?

    Odpowiedź

    Their spellings set different numbers. C–C♯ is an augmented unison (A1), while C–D♭ is a minor second (m2).

  176. Karta 176

    Pytanie

    Why are C4 → D♯4 and C4 → E♭4 different written intervals even though both span 3 semitones?

    Odpowiedź

    Their spellings set different numbers. C–D♯ is an augmented second (A2), while C–E♭ is a minor third (m3).

  177. Karta 177

    Pytanie

    Why are C4 → F♭4 and C4 → E4 different written intervals even though both span 4 semitones?

    Odpowiedź

    Their spellings set different numbers. C–F♭ is a diminished fourth (d4), while C–E is a major third (M3).

  178. Karta 178

    Pytanie

    Why are C4 → G♯4 and C4 → A♭4 different written intervals even though both span 8 semitones?

    Odpowiedź

    Their spellings set different numbers. C–G♯ is an augmented fifth (A5), while C–A♭ is a minor sixth (m6).

  179. Karta 179

    Pytanie

    Why are C4 → A♯4 and C4 → B♭4 different written intervals even though both span 10 semitones?

    Odpowiedź

    Their spellings set different numbers. C–A♯ is an augmented sixth (A6), while C–B♭ is a minor seventh (m7).

  180. Karta 180

    Pytanie

    Why are C4 → B♯4 and C4 → C5 different written intervals even though both span 12 semitones?

    Odpowiedź

    Their spellings set different numbers. C–B♯ is an augmented seventh (A7), while C–C is a perfect octave (P8).

  181. Karta 181

    Pytanie

    Why can semitone count alone fail to identify a written interval?

    Odpowiedź

    Semitone count gives chromatic distance, but the note letters give the interval number. You need both number and semitone distance to determine the written quality.

Abstract paired note forms connected by measured arcs across staff-like lines.

181 kart

Music Interval Flashcards: Size, Quality & Note Spelling

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