Music Interval Flashcards: Size, Quality & Note Spelling

Installable practice for interval names, semitone counts, inversions, identification, and spelling-aware construction in written music theory.

Sobre este baralho

Written intervals get slippery when letter count, semitone distance, and spelling point in different directions. This 181-card deck turns those compact rules into retrieval practice for simple intervals from P1 through P8 in common Western written music theory and 12-tone equal temperament.

The sequence starts with size and quality families, abbreviations, and the conventional semitone chart. It then covers inversion pairs before moving into 48 note-pair identification prompts and 48 construction prompts. Cards practice interval name → semitone count, conventional semitone count → interval name, written notes → size and quality, and named interval + starting note → one correctly spelled upper note. Selected enharmonic contrasts show why equal semitone spans can carry different written names.

Reverse semitone cards use the conventional perfect/major/minor chart plus both tritone spellings. Other augmented and diminished enharmonic names appear only in selected contrast cards, not as an exhaustive reverse mapping. There is no audio, ear training, staff notation, compound intervals, exhaustive transposition grid, every enharmonic permutation, or course-specific grading.

The facts are common-knowledge music fundamentals checked against open educational references. CC0 applies to the original card wording, selection, ordering, metadata, and generated cover to the extent those elements carry rights; no ownership is claimed over musical facts.

This is an independent fundamentals deck. It supports written practice rather than replacing notation exercises, ear training, a course, teacher guidance, or a particular exam syllabus.

Cartões deste baralho

  1. Cartão 1

    Pergunta

    In written music theory, what is an interval?

    Resposta

    The distance between two pitches. A written interval is named by its number and quality.

  2. Cartão 2

    Pergunta

    How does a major interval compare with the minor interval of the same number?

    Resposta

    A major interval is one semitone wider. The written interval number stays the same.

  3. Cartão 3

    Pergunta

    How do you find an interval number from two written note names?

    Resposta

    Count letter names inclusively from the lower note to the upper note. C–E counts C, D, E, so it is a third.

  4. Cartão 4

    Pergunta

    What quality results when a major or perfect interval widens by one semitone without changing its number?

    Resposta

    Augmented. For example, widening C–F from P4 to C–F♯ produces A4.

  5. Cartão 5

    Pergunta

    Which interval numbers belong to the perfect family?

    Resposta

    Unisons, fourths, fifths, and octaves: 1, 4, 5, and 8.

  6. Cartão 6

    Pergunta

    What two parts make a specific written interval name?

    Resposta

    Quality and number. For example, “major third” combines the quality major with the number third.

  7. Cartão 7

    Pergunta

    How does a minor interval compare with the major interval of the same number?

    Resposta

    A minor interval is one semitone narrower. The written interval number stays the same.

  8. Cartão 8

    Pergunta

    Do accidentals change an interval's generic number?

    Resposta

    No. The written letter names set the number; accidentals can change the quality.

  9. Cartão 9

    Pergunta

    What quality results when a minor or perfect interval narrows by one semitone without changing its number?

    Resposta

    Diminished. For example, narrowing C–G from P5 to C–G♭ produces d5.

  10. Cartão 10

    Pergunta

    Which interval numbers belong to the major/minor family?

    Resposta

    Seconds, thirds, sixths, and sevenths: 2, 3, 6, and 7.

  11. Cartão 11

    Pergunta

    Which comes first when naming an interval: quality or number?

    Resposta

    Quality comes first. Say “minor third,” not “third minor.”

  12. Cartão 12

    Pergunta

    What is a simple interval?

    Resposta

    An interval from a unison through an octave. Intervals larger than an octave are compound and are outside this deck's scope.

  13. Cartão 13

    Pergunta

    What does the interval abbreviation P1 mean?

    Resposta

    Perfect unison.

  14. Cartão 14

    Pergunta

    What does the interval abbreviation m2 mean?

    Resposta

    Minor second.

  15. Cartão 15

    Pergunta

    What does the interval abbreviation M2 mean?

    Resposta

    Major second.

  16. Cartão 16

    Pergunta

    What does the interval abbreviation m3 mean?

    Resposta

    Minor third.

  17. Cartão 17

    Pergunta

    What does the interval abbreviation M3 mean?

    Resposta

    Major third.

  18. Cartão 18

    Pergunta

    What does the interval abbreviation P4 mean?

    Resposta

    Perfect fourth.

  19. Cartão 19

    Pergunta

    What does the interval abbreviation A4 mean?

    Resposta

    Augmented fourth.

  20. Cartão 20

    Pergunta

    What does the interval abbreviation P5 mean?

    Resposta

    Perfect fifth.

  21. Cartão 21

    Pergunta

    What does the interval abbreviation m6 mean?

    Resposta

    Minor sixth.

  22. Cartão 22

    Pergunta

    What does the interval abbreviation M6 mean?

    Resposta

    Major sixth.

  23. Cartão 23

    Pergunta

    What does the interval abbreviation d5 mean?

    Resposta

    Diminished fifth.

  24. Cartão 24

    Pergunta

    What does the interval abbreviation m7 mean?

    Resposta

    Minor seventh.

  25. Cartão 25

    Pergunta

    What does the interval abbreviation M7 mean?

    Resposta

    Major seventh.

  26. Cartão 26

    Pergunta

    What does the interval abbreviation P8 mean?

    Resposta

    Perfect octave.

  27. Cartão 27

    Pergunta

    How many semitones does a perfect unison (P1) span in 12-TET?

    Resposta

    0 semitones.

  28. Cartão 28

    Pergunta

    How many semitones does a minor second (m2) span in 12-TET?

    Resposta

    1 semitone.

  29. Cartão 29

    Pergunta

    How many semitones does a major second (M2) span in 12-TET?

    Resposta

    2 semitones.

  30. Cartão 30

    Pergunta

    How many semitones does a minor third (m3) span in 12-TET?

    Resposta

    3 semitones.

  31. Cartão 31

    Pergunta

    How many semitones does a major third (M3) span in 12-TET?

    Resposta

    4 semitones.

  32. Cartão 32

    Pergunta

    How many semitones does a perfect fourth (P4) span in 12-TET?

    Resposta

    5 semitones.

  33. Cartão 33

    Pergunta

    How many semitones does an augmented fourth (A4) span in 12-TET?

    Resposta

    6 semitones.

  34. Cartão 34

    Pergunta

    How many semitones does a perfect fifth (P5) span in 12-TET?

    Resposta

    7 semitones.

  35. Cartão 35

    Pergunta

    How many semitones does a minor sixth (m6) span in 12-TET?

    Resposta

    8 semitones.

  36. Cartão 36

    Pergunta

    How many semitones does a major sixth (M6) span in 12-TET?

    Resposta

    9 semitones.

  37. Cartão 37

    Pergunta

    How many semitones does a diminished fifth (d5) span in 12-TET?

    Resposta

    6 semitones.

  38. Cartão 38

    Pergunta

    How many semitones does a minor seventh (m7) span in 12-TET?

    Resposta

    10 semitones.

  39. Cartão 39

    Pergunta

    How many semitones does a major seventh (M7) span in 12-TET?

    Resposta

    11 semitones.

  40. Cartão 40

    Pergunta

    How many semitones does a perfect octave (P8) span in 12-TET?

    Resposta

    12 semitones.

  41. Cartão 41

    Pergunta

    In the conventional simple-interval chart, what interval spans 0 semitones?

    Resposta

    A perfect unison (P1). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  42. Cartão 42

    Pergunta

    In the conventional simple-interval chart, what interval spans 1 semitone?

    Resposta

    A minor second (m2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  43. Cartão 43

    Pergunta

    In the conventional simple-interval chart, what interval spans 2 semitones?

    Resposta

    A major second (M2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  44. Cartão 44

    Pergunta

    In the conventional simple-interval chart, what interval spans 3 semitones?

    Resposta

    A minor third (m3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  45. Cartão 45

    Pergunta

    In the conventional simple-interval chart, what interval spans 4 semitones?

    Resposta

    A major third (M3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  46. Cartão 46

    Pergunta

    In the conventional simple-interval chart, what interval spans 5 semitones?

    Resposta

    A perfect fourth (P4). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  47. Cartão 47

    Pergunta

    In the conventional simple-interval chart, what interval spans 6 semitones?

    Resposta

    An augmented fourth (A4) or diminished fifth (d5). Six semitones does not fix the written number; note spelling distinguishes A4 from d5.

  48. Cartão 48

    Pergunta

    In the conventional simple-interval chart, what interval spans 7 semitones?

    Resposta

    A perfect fifth (P5). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  49. Cartão 49

    Pergunta

    In the conventional simple-interval chart, what interval spans 8 semitones?

    Resposta

    A minor sixth (m6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  50. Cartão 50

    Pergunta

    In the conventional simple-interval chart, what interval spans 9 semitones?

    Resposta

    A major sixth (M6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  51. Cartão 51

    Pergunta

    In the conventional simple-interval chart, what interval spans 10 semitones?

    Resposta

    A minor seventh (m7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  52. Cartão 52

    Pergunta

    In the conventional simple-interval chart, what interval spans 11 semitones?

    Resposta

    A major seventh (M7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  53. Cartão 53

    Pergunta

    In the conventional simple-interval chart, what interval spans 12 semitones?

    Resposta

    A perfect octave (P8). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  54. Cartão 54

    Pergunta

    What does it mean to invert a simple interval?

    Resposta

    Move the lower note up an octave, or the upper note down an octave, so their order reverses.

  55. Cartão 55

    Pergunta

    Which interval number is the inversion partner of a unison?

    Resposta

    An octave. Unisons and octaves form the 1 ↔ 8 inversion pair.

  56. Cartão 56

    Pergunta

    How does perfect quality change under interval inversion?

    Resposta

    It stays perfect. A perfect interval inverts to another perfect interval.

  57. Cartão 57

    Pergunta

    Which interval number is the inversion partner of a second?

    Resposta

    A seventh. Seconds and sevenths form the 2 ↔ 7 inversion pair.

  58. Cartão 58

    Pergunta

    What do the numbers of a simple interval and its inversion add up to?

    Resposta

    1. For example, a third inverts to a sixth because 3 + 6 = 9.
  59. Cartão 59

    Pergunta

    How do major and minor qualities change under interval inversion?

    Resposta

    They swap. Major inverts to minor, and minor inverts to major.

  60. Cartão 60

    Pergunta

    Which interval number is the inversion partner of a third?

    Resposta

    A sixth. Thirds and sixths form the 3 ↔ 6 inversion pair.

  61. Cartão 61

    Pergunta

    How do augmented and diminished qualities change under interval inversion?

    Resposta

    They swap. Augmented inverts to diminished, and diminished inverts to augmented.

  62. Cartão 62

    Pergunta

    How many semitones do a simple interval and its octave inversion span in total?

    Resposta

    12 semitones. Their two spans complete an octave.

  63. Cartão 63

    Pergunta

    Which interval number is the inversion partner of a fourth?

    Resposta

    A fifth. Fourths and fifths form the 4 ↔ 5 inversion pair.

  64. Cartão 64

    Pergunta

    What is the inversion of a perfect unison (P1)?

    Resposta

    A perfect octave (P8).

  65. Cartão 65

    Pergunta

    What is the inversion of a minor second (m2)?

    Resposta

    A major seventh (M7).

  66. Cartão 66

    Pergunta

    What is the inversion of a major second (M2)?

    Resposta

    A minor seventh (m7).

  67. Cartão 67

    Pergunta

    What is the inversion of a minor third (m3)?

    Resposta

    A major sixth (M6).

  68. Cartão 68

    Pergunta

    What is the inversion of a major third (M3)?

    Resposta

    A minor sixth (m6).

  69. Cartão 69

    Pergunta

    What is the inversion of a perfect fourth (P4)?

    Resposta

    A perfect fifth (P5).

  70. Cartão 70

    Pergunta

    What is the inversion of an augmented fourth (A4)?

    Resposta

    A diminished fifth (d5).

  71. Cartão 71

    Pergunta

    What is the inversion of a perfect octave (P8)?

    Resposta

    A perfect unison (P1).

  72. Cartão 72

    Pergunta

    What is the inversion of a major seventh (M7)?

    Resposta

    A minor second (m2).

  73. Cartão 73

    Pergunta

    What is the inversion of a minor seventh (m7)?

    Resposta

    A major second (M2).

  74. Cartão 74

    Pergunta

    What is the inversion of a major sixth (M6)?

    Resposta

    A minor third (m3).

  75. Cartão 75

    Pergunta

    What is the inversion of a minor sixth (m6)?

    Resposta

    A major third (M3).

  76. Cartão 76

    Pergunta

    What is the inversion of a perfect fifth (P5)?

    Resposta

    A perfect fourth (P4).

  77. Cartão 77

    Pergunta

    What is the inversion of a diminished fifth (d5)?

    Resposta

    An augmented fourth (A4).

  78. Cartão 78

    Pergunta

    Written interval C4 → C4?

    Resposta

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  79. Cartão 79

    Pergunta

    Ascending written interval F♯4 → G4?

    Resposta

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  80. Cartão 80

    Pergunta

    Ascending written interval D4 → F♯4?

    Resposta

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  81. Cartão 81

    Pergunta

    Ascending written interval C4 → F4?

    Resposta

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  82. Cartão 82

    Pergunta

    Ascending written interval E4 → C5?

    Resposta

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  83. Cartão 83

    Pergunta

    Ascending written interval E♭4 → D5?

    Resposta

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  84. Cartão 84

    Pergunta

    Ascending written interval C4 → G4?

    Resposta

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  85. Cartão 85

    Pergunta

    Ascending written interval D♭4 → G4?

    Resposta

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  86. Cartão 86

    Pergunta

    Ascending written interval C4 → D4?

    Resposta

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  87. Cartão 87

    Pergunta

    Ascending written interval D4 → F4?

    Resposta

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  88. Cartão 88

    Pergunta

    Ascending written interval C4 → A4?

    Resposta

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  89. Cartão 89

    Pergunta

    Ascending written interval D4 → A♭4?

    Resposta

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  90. Cartão 90

    Pergunta

    Ascending written interval F♯4 → E5?

    Resposta

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  91. Cartão 91

    Pergunta

    Ascending written interval C4 → C5?

    Resposta

    Perfect octave (P8). The note letters make an octave, and the pitches span 12 semitones in 12-TET.

    Abstract paired note forms connected by measured arcs across staff-like lines.

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  92. Cartão 92

    Pergunta

    Written interval F♯4 → F♯4?

    Resposta

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  93. Cartão 93

    Pergunta

    Ascending written interval C4 → D♭4?

    Resposta

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  94. Cartão 94

    Pergunta

    Ascending written interval B♭3 → D4?

    Resposta

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  95. Cartão 95

    Pergunta

    Ascending written interval D4 → G4?

    Resposta

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  96. Cartão 96

    Pergunta

    Ascending written interval F♯4 → D5?

    Resposta

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  97. Cartão 97

    Pergunta

    Ascending written interval C4 → B4?

    Resposta

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  98. Cartão 98

    Pergunta

    Ascending written interval F♯4 → C♯5?

    Resposta

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  99. Cartão 99

    Pergunta

    Ascending written interval C4 → F♯4?

    Resposta

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  100. Cartão 100

    Pergunta

    Ascending written interval E4 → F♯4?

    Resposta

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  101. Cartão 101

    Pergunta

    Ascending written interval A3 → C4?

    Resposta

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  102. Cartão 102

    Pergunta

    Ascending written interval F♯4 → D♯5?

    Resposta

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  103. Cartão 103

    Pergunta

    Ascending written interval C4 → G♭4?

    Resposta

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  104. Cartão 104

    Pergunta

    Ascending written interval D4 → C5?

    Resposta

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  105. Cartão 105

    Pergunta

    Ascending written interval E4 → F4?

    Resposta

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  106. Cartão 106

    Pergunta

    Ascending written interval C4 → E4?

    Resposta

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  107. Cartão 107

    Pergunta

    Ascending written interval F♯4 → B4?

    Resposta

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  108. Cartão 108

    Pergunta

    Ascending written interval C4 → A♭4?

    Resposta

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  109. Cartão 109

    Pergunta

    Ascending written interval F♯4 → E♯5?

    Resposta

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  110. Cartão 110

    Pergunta

    Ascending written interval B♭3 → F4?

    Resposta

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  111. Cartão 111

    Pergunta

    Ascending written interval F4 → B4?

    Resposta

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  112. Cartão 112

    Pergunta

    Ascending written interval F♯4 → G♯4?

    Resposta

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  113. Cartão 113

    Pergunta

    Ascending written interval C4 → E♭4?

    Resposta

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  114. Cartão 114

    Pergunta

    Ascending written interval E♭4 → C5?

    Resposta

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  115. Cartão 115

    Pergunta

    Ascending written interval F♯4 → C5?

    Resposta

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  116. Cartão 116

    Pergunta

    Ascending written interval B♭3 → A♭4?

    Resposta

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  117. Cartão 117

    Pergunta

    Ascending written interval B3 → C4?

    Resposta

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  118. Cartão 118

    Pergunta

    Ascending written interval F♯4 → A♯4?

    Resposta

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  119. Cartão 119

    Pergunta

    Ascending written interval B♭3 → E♭4?

    Resposta

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  120. Cartão 120

    Pergunta

    Ascending written interval A3 → F4?

    Resposta

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  121. Cartão 121

    Pergunta

    Ascending written interval D4 → A4?

    Resposta

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  122. Cartão 122

    Pergunta

    Ascending written interval B♭3 → C4?

    Resposta

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  123. Cartão 123

    Pergunta

    Ascending written interval F♯4 → A4?

    Resposta

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  124. Cartão 124

    Pergunta

    Ascending written interval A3 → F♯4?

    Resposta

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  125. Cartão 125

    Pergunta

    Ascending written interval C4 → B♭4?

    Resposta

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  126. Cartão 126

    Pergunta

    Perfect unison from C4?

    Resposta

    C4. The spelling makes a unison, and the pitches span 0 semitones in 12-TET.

  127. Cartão 127

    Pergunta

    Minor second above F♯4?

    Resposta

    G4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  128. Cartão 128

    Pergunta

    Major third above C4?

    Resposta

    E4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  129. Cartão 129

    Pergunta

    Perfect fourth above B♭3?

    Resposta

    E♭4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  130. Cartão 130

    Pergunta

    Minor sixth above C4?

    Resposta

    A♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  131. Cartão 131

    Pergunta

    Major seventh above B♭3?

    Resposta

    A4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  132. Cartão 132

    Pergunta

    Perfect fifth above E4?

    Resposta

    B4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  133. Cartão 133

    Pergunta

    Augmented fourth above D♭4?

    Resposta

    G4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  134. Cartão 134

    Pergunta

    Major second above C4?

    Resposta

    D4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  135. Cartão 135

    Pergunta

    Minor third above B♭3?

    Resposta

    D♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  136. Cartão 136

    Pergunta

    Major sixth above E4?

    Resposta

    C♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  137. Cartão 137

    Pergunta

    Diminished fifth above C4?

    Resposta

    G♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  138. Cartão 138

    Pergunta

    Minor seventh above D4?

    Resposta

    C5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  139. Cartão 139

    Pergunta

    Perfect octave above E♭4?

    Resposta

    E♭5. The spelling makes an octave, and the pitches span 12 semitones in 12-TET.

  140. Cartão 140

    Pergunta

    Minor second above C4?

    Resposta

    D♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  141. Cartão 141

    Pergunta

    Major third above E♭4?

    Resposta

    G4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  142. Cartão 142

    Pergunta

    Perfect fourth above C4?

    Resposta

    F4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  143. Cartão 143

    Pergunta

    Minor sixth above B♭3?

    Resposta

    G♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  144. Cartão 144

    Pergunta

    Major seventh above C4?

    Resposta

    B4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  145. Cartão 145

    Pergunta

    Perfect fifth above B♭3?

    Resposta

    F4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  146. Cartão 146

    Pergunta

    Augmented fourth above C4?

    Resposta

    F♯4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  147. Cartão 147

    Pergunta

    Major second above E♭4?

    Resposta

    F4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  148. Cartão 148

    Pergunta

    Minor third above F♯4?

    Resposta

    A4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  149. Cartão 149

    Pergunta

    Major sixth above C4?

    Resposta

    A4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  150. Cartão 150

    Pergunta

    Diminished fifth above D4?

    Resposta

    A♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  151. Cartão 151

    Pergunta

    Minor seventh above F♯4?

    Resposta

    E5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  152. Cartão 152

    Pergunta

    Minor second above E4?

    Resposta

    F4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  153. Cartão 153

    Pergunta

    Major third above F♯4?

    Resposta

    A♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  154. Cartão 154

    Pergunta

    Perfect fourth above D4?

    Resposta

    G4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  155. Cartão 155

    Pergunta

    Minor sixth above F♯4?

    Resposta

    D5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  156. Cartão 156

    Pergunta

    Major seventh above E4?

    Resposta

    D♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  157. Cartão 157

    Pergunta

    Perfect fifth above F♯4?

    Resposta

    C♯5. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  158. Cartão 158

    Pergunta

    Augmented fourth above F4?

    Resposta

    B4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  159. Cartão 159

    Pergunta

    Major second above B3?

    Resposta

    C♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  160. Cartão 160

    Pergunta

    Minor third above C4?

    Resposta

    E♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  161. Cartão 161

    Pergunta

    Major sixth above F♯4?

    Resposta

    D♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  162. Cartão 162

    Pergunta

    Diminished fifth above B♭3?

    Resposta

    F♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  163. Cartão 163

    Pergunta

    Minor seventh above E♭4?

    Resposta

    D♭5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  164. Cartão 164

    Pergunta

    Minor second above B♭3?

    Resposta

    C♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  165. Cartão 165

    Pergunta

    Major third above D4?

    Resposta

    F♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  166. Cartão 166

    Pergunta

    Perfect fourth above F♯4?

    Resposta

    B4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  167. Cartão 167

    Pergunta

    Minor sixth above E4?

    Resposta

    C5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  168. Cartão 168

    Pergunta

    Major seventh above F♯4?

    Resposta

    E♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  169. Cartão 169

    Pergunta

    Perfect fifth above C4?

    Resposta

    G4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  170. Cartão 170

    Pergunta

    Major second above F♯4?

    Resposta

    G♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  171. Cartão 171

    Pergunta

    Minor third above E4?

    Resposta

    G4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  172. Cartão 172

    Pergunta

    Major sixth above B♭3?

    Resposta

    G4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  173. Cartão 173

    Pergunta

    Minor seventh above C4?

    Resposta

    B♭4. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  174. Cartão 174

    Pergunta

    Why are C4 → F♯4 and C4 → G♭4 different written intervals even though both span 6 semitones?

    Resposta

    Their note letters set different numbers. C–F♯ is an augmented fourth (A4), while C–G♭ is a diminished fifth (d5).

  175. Cartão 175

    Pergunta

    Why are C4 → C♯4 and C4 → D♭4 different written intervals even though both span 1 semitone?

    Resposta

    Their spellings set different numbers. C–C♯ is an augmented unison (A1), while C–D♭ is a minor second (m2).

  176. Cartão 176

    Pergunta

    Why are C4 → D♯4 and C4 → E♭4 different written intervals even though both span 3 semitones?

    Resposta

    Their spellings set different numbers. C–D♯ is an augmented second (A2), while C–E♭ is a minor third (m3).

  177. Cartão 177

    Pergunta

    Why are C4 → F♭4 and C4 → E4 different written intervals even though both span 4 semitones?

    Resposta

    Their spellings set different numbers. C–F♭ is a diminished fourth (d4), while C–E is a major third (M3).

  178. Cartão 178

    Pergunta

    Why are C4 → G♯4 and C4 → A♭4 different written intervals even though both span 8 semitones?

    Resposta

    Their spellings set different numbers. C–G♯ is an augmented fifth (A5), while C–A♭ is a minor sixth (m6).

  179. Cartão 179

    Pergunta

    Why are C4 → A♯4 and C4 → B♭4 different written intervals even though both span 10 semitones?

    Resposta

    Their spellings set different numbers. C–A♯ is an augmented sixth (A6), while C–B♭ is a minor seventh (m7).

  180. Cartão 180

    Pergunta

    Why are C4 → B♯4 and C4 → C5 different written intervals even though both span 12 semitones?

    Resposta

    Their spellings set different numbers. C–B♯ is an augmented seventh (A7), while C–C is a perfect octave (P8).

  181. Cartão 181

    Pergunta

    Why can semitone count alone fail to identify a written interval?

    Resposta

    Semitone count gives chromatic distance, but the note letters give the interval number. You need both number and semitone distance to determine the written quality.

Abstract paired note forms connected by measured arcs across staff-like lines.

181 cartões

Music Interval Flashcards: Size, Quality & Note Spelling

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