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Music Interval Flashcards: Size, Quality & Note Spelling

Installable practice for interval names, semitone counts, inversions, identification, and spelling-aware construction in written music theory.

Par Open Study Contributor

À propos de ce paquet

Written intervals get slippery when letter count, semitone distance, and spelling point in different directions. This 181-card deck turns those compact rules into retrieval practice for simple intervals from P1 through P8 in common Western written music theory and 12-tone equal temperament.

The sequence starts with size and quality families, abbreviations, and the conventional semitone chart. It then covers inversion pairs before moving into 48 note-pair identification prompts and 48 construction prompts. Cards practice interval name → semitone count, conventional semitone count → interval name, written notes → size and quality, and named interval + starting note → one correctly spelled upper note. Selected enharmonic contrasts show why equal semitone spans can carry different written names.

Reverse semitone cards use the conventional perfect/major/minor chart plus both tritone spellings. Other augmented and diminished enharmonic names appear only in selected contrast cards, not as an exhaustive reverse mapping. There is no audio, ear training, staff notation, compound intervals, exhaustive transposition grid, every enharmonic permutation, or course-specific grading.

The facts are common-knowledge music fundamentals checked against open educational references. CC0 applies to the original card wording, selection, ordering, metadata, and generated cover to the extent those elements carry rights; no ownership is claimed over musical facts.

This is an independent fundamentals deck. It supports written practice rather than replacing notation exercises, ear training, a course, teacher guidance, or a particular exam syllabus.

Cartes de ce paquet

  1. Carte 1

    Question

    In written music theory, what is an interval?

    Réponse

    The distance between two pitches. A written interval is named by its number and quality.

  2. Carte 2

    Question

    How does a major interval compare with the minor interval of the same number?

    Réponse

    A major interval is one semitone wider. The written interval number stays the same.

  3. Carte 3

    Question

    How do you find an interval number from two written note names?

    Réponse

    Count letter names inclusively from the lower note to the upper note. C–E counts C, D, E, so it is a third.

  4. Carte 4

    Question

    What quality results when a major or perfect interval widens by one semitone without changing its number?

    Réponse

    Augmented. For example, widening C–F from P4 to C–F♯ produces A4.

  5. Carte 5

    Question

    Which interval numbers belong to the perfect family?

    Réponse

    Unisons, fourths, fifths, and octaves: 1, 4, 5, and 8.

  6. Carte 6

    Question

    What two parts make a specific written interval name?

    Réponse

    Quality and number. For example, “major third” combines the quality major with the number third.

  7. Carte 7

    Question

    How does a minor interval compare with the major interval of the same number?

    Réponse

    A minor interval is one semitone narrower. The written interval number stays the same.

  8. Carte 8

    Question

    Do accidentals change an interval's generic number?

    Réponse

    No. The written letter names set the number; accidentals can change the quality.

  9. Carte 9

    Question

    What quality results when a minor or perfect interval narrows by one semitone without changing its number?

    Réponse

    Diminished. For example, narrowing C–G from P5 to C–G♭ produces d5.

  10. Carte 10

    Question

    Which interval numbers belong to the major/minor family?

    Réponse

    Seconds, thirds, sixths, and sevenths: 2, 3, 6, and 7.

  11. Carte 11

    Question

    Which comes first when naming an interval: quality or number?

    Réponse

    Quality comes first. Say “minor third,” not “third minor.”

  12. Carte 12

    Question

    What is a simple interval?

    Réponse

    An interval from a unison through an octave. Intervals larger than an octave are compound and are outside this deck's scope.

  13. Carte 13

    Question

    What does the interval abbreviation P1 mean?

    Réponse

    Perfect unison.

  14. Carte 14

    Question

    What does the interval abbreviation m2 mean?

    Réponse

    Minor second.

  15. Carte 15

    Question

    What does the interval abbreviation M2 mean?

    Réponse

    Major second.

  16. Carte 16

    Question

    What does the interval abbreviation m3 mean?

    Réponse

    Minor third.

  17. Carte 17

    Question

    What does the interval abbreviation M3 mean?

    Réponse

    Major third.

  18. Carte 18

    Question

    What does the interval abbreviation P4 mean?

    Réponse

    Perfect fourth.

  19. Carte 19

    Question

    What does the interval abbreviation A4 mean?

    Réponse

    Augmented fourth.

  20. Carte 20

    Question

    What does the interval abbreviation P5 mean?

    Réponse

    Perfect fifth.

  21. Carte 21

    Question

    What does the interval abbreviation m6 mean?

    Réponse

    Minor sixth.

  22. Carte 22

    Question

    What does the interval abbreviation M6 mean?

    Réponse

    Major sixth.

  23. Carte 23

    Question

    What does the interval abbreviation d5 mean?

    Réponse

    Diminished fifth.

  24. Carte 24

    Question

    What does the interval abbreviation m7 mean?

    Réponse

    Minor seventh.

  25. Carte 25

    Question

    What does the interval abbreviation M7 mean?

    Réponse

    Major seventh.

  26. Carte 26

    Question

    What does the interval abbreviation P8 mean?

    Réponse

    Perfect octave.

  27. Carte 27

    Question

    How many semitones does a perfect unison (P1) span in 12-TET?

    Réponse

    0 semitones.

  28. Carte 28

    Question

    How many semitones does a minor second (m2) span in 12-TET?

    Réponse

    1 semitone.

  29. Carte 29

    Question

    How many semitones does a major second (M2) span in 12-TET?

    Réponse

    2 semitones.

  30. Carte 30

    Question

    How many semitones does a minor third (m3) span in 12-TET?

    Réponse

    3 semitones.

  31. Carte 31

    Question

    How many semitones does a major third (M3) span in 12-TET?

    Réponse

    4 semitones.

  32. Carte 32

    Question

    How many semitones does a perfect fourth (P4) span in 12-TET?

    Réponse

    5 semitones.

  33. Carte 33

    Question

    How many semitones does an augmented fourth (A4) span in 12-TET?

    Réponse

    6 semitones.

  34. Carte 34

    Question

    How many semitones does a perfect fifth (P5) span in 12-TET?

    Réponse

    7 semitones.

  35. Carte 35

    Question

    How many semitones does a minor sixth (m6) span in 12-TET?

    Réponse

    8 semitones.

  36. Carte 36

    Question

    How many semitones does a major sixth (M6) span in 12-TET?

    Réponse

    9 semitones.

  37. Carte 37

    Question

    How many semitones does a diminished fifth (d5) span in 12-TET?

    Réponse

    6 semitones.

  38. Carte 38

    Question

    How many semitones does a minor seventh (m7) span in 12-TET?

    Réponse

    10 semitones.

  39. Carte 39

    Question

    How many semitones does a major seventh (M7) span in 12-TET?

    Réponse

    11 semitones.

  40. Carte 40

    Question

    How many semitones does a perfect octave (P8) span in 12-TET?

    Réponse

    12 semitones.

  41. Carte 41

    Question

    In the conventional simple-interval chart, what interval spans 0 semitones?

    Réponse

    A perfect unison (P1). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  42. Carte 42

    Question

    In the conventional simple-interval chart, what interval spans 1 semitone?

    Réponse

    A minor second (m2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  43. Carte 43

    Question

    In the conventional simple-interval chart, what interval spans 2 semitones?

    Réponse

    A major second (M2). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  44. Carte 44

    Question

    In the conventional simple-interval chart, what interval spans 3 semitones?

    Réponse

    A minor third (m3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  45. Carte 45

    Question

    In the conventional simple-interval chart, what interval spans 4 semitones?

    Réponse

    A major third (M3). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  46. Carte 46

    Question

    In the conventional simple-interval chart, what interval spans 5 semitones?

    Réponse

    A perfect fourth (P4). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  47. Carte 47

    Question

    In the conventional simple-interval chart, what interval spans 6 semitones?

    Réponse

    An augmented fourth (A4) or diminished fifth (d5). Six semitones does not fix the written number; note spelling distinguishes A4 from d5.

  48. Carte 48

    Question

    In the conventional simple-interval chart, what interval spans 7 semitones?

    Réponse

    A perfect fifth (P5). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  49. Carte 49

    Question

    In the conventional simple-interval chart, what interval spans 8 semitones?

    Réponse

    A minor sixth (m6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  50. Carte 50

    Question

    In the conventional simple-interval chart, what interval spans 9 semitones?

    Réponse

    A major sixth (M6). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  51. Carte 51

    Question

    In the conventional simple-interval chart, what interval spans 10 semitones?

    Réponse

    A minor seventh (m7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  52. Carte 52

    Question

    In the conventional simple-interval chart, what interval spans 11 semitones?

    Réponse

    A major seventh (M7). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  53. Carte 53

    Question

    In the conventional simple-interval chart, what interval spans 12 semitones?

    Réponse

    A perfect octave (P8). This is the conventional basic-chart name; unusual enharmonic spellings can produce another written interval.

  54. Carte 54

    Question

    What does it mean to invert a simple interval?

    Réponse

    Move the lower note up an octave, or the upper note down an octave, so their order reverses.

  55. Carte 55

    Question

    Which interval number is the inversion partner of a unison?

    Réponse

    An octave. Unisons and octaves form the 1 ↔ 8 inversion pair.

  56. Carte 56

    Question

    How does perfect quality change under interval inversion?

    Réponse

    It stays perfect. A perfect interval inverts to another perfect interval.

  57. Carte 57

    Question

    Which interval number is the inversion partner of a second?

    Réponse

    A seventh. Seconds and sevenths form the 2 ↔ 7 inversion pair.

  58. Carte 58

    Question

    What do the numbers of a simple interval and its inversion add up to?

    Réponse

    1. For example, a third inverts to a sixth because 3 + 6 = 9.

  59. Carte 59

    Question

    How do major and minor qualities change under interval inversion?

    Réponse

    They swap. Major inverts to minor, and minor inverts to major.

  60. Carte 60

    Question

    Which interval number is the inversion partner of a third?

    Réponse

    A sixth. Thirds and sixths form the 3 ↔ 6 inversion pair.

  61. Carte 61

    Question

    How do augmented and diminished qualities change under interval inversion?

    Réponse

    They swap. Augmented inverts to diminished, and diminished inverts to augmented.

  62. Carte 62

    Question

    How many semitones do a simple interval and its octave inversion span in total?

    Réponse

    12 semitones. Their two spans complete an octave.

  63. Carte 63

    Question

    Which interval number is the inversion partner of a fourth?

    Réponse

    A fifth. Fourths and fifths form the 4 ↔ 5 inversion pair.

  64. Carte 64

    Question

    What is the inversion of a perfect unison (P1)?

    Réponse

    A perfect octave (P8).

  65. Carte 65

    Question

    What is the inversion of a minor second (m2)?

    Réponse

    A major seventh (M7).

  66. Carte 66

    Question

    What is the inversion of a major second (M2)?

    Réponse

    A minor seventh (m7).

  67. Carte 67

    Question

    What is the inversion of a minor third (m3)?

    Réponse

    A major sixth (M6).

  68. Carte 68

    Question

    What is the inversion of a major third (M3)?

    Réponse

    A minor sixth (m6).

  69. Carte 69

    Question

    What is the inversion of a perfect fourth (P4)?

    Réponse

    A perfect fifth (P5).

  70. Carte 70

    Question

    What is the inversion of an augmented fourth (A4)?

    Réponse

    A diminished fifth (d5).

  71. Carte 71

    Question

    What is the inversion of a perfect octave (P8)?

    Réponse

    A perfect unison (P1).

  72. Carte 72

    Question

    What is the inversion of a major seventh (M7)?

    Réponse

    A minor second (m2).

  73. Carte 73

    Question

    What is the inversion of a minor seventh (m7)?

    Réponse

    A major second (M2).

  74. Carte 74

    Question

    What is the inversion of a major sixth (M6)?

    Réponse

    A minor third (m3).

  75. Carte 75

    Question

    What is the inversion of a minor sixth (m6)?

    Réponse

    A major third (M3).

  76. Carte 76

    Question

    What is the inversion of a perfect fifth (P5)?

    Réponse

    A perfect fourth (P4).

  77. Carte 77

    Question

    What is the inversion of a diminished fifth (d5)?

    Réponse

    An augmented fourth (A4).

  78. Carte 78

    Question

    Written interval C4 → C4?

    Réponse

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  79. Carte 79

    Question

    Ascending written interval F♯4 → G4?

    Réponse

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  80. Carte 80

    Question

    Ascending written interval D4 → F♯4?

    Réponse

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  81. Carte 81

    Question

    Ascending written interval C4 → F4?

    Réponse

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  82. Carte 82

    Question

    Ascending written interval E4 → C5?

    Réponse

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  83. Carte 83

    Question

    Ascending written interval E♭4 → D5?

    Réponse

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  84. Carte 84

    Question

    Ascending written interval C4 → G4?

    Réponse

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  85. Carte 85

    Question

    Ascending written interval D♭4 → G4?

    Réponse

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  86. Carte 86

    Question

    Ascending written interval C4 → D4?

    Réponse

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  87. Carte 87

    Question

    Ascending written interval D4 → F4?

    Réponse

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  88. Carte 88

    Question

    Ascending written interval C4 → A4?

    Réponse

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  89. Carte 89

    Question

    Ascending written interval D4 → A♭4?

    Réponse

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  90. Carte 90

    Question

    Ascending written interval F♯4 → E5?

    Réponse

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  91. Carte 91

    Question

    Ascending written interval C4 → C5?

    Réponse

    Perfect octave (P8). The note letters make an octave, and the pitches span 12 semitones in 12-TET.

    Abstract paired note forms connected by measured arcs across staff-like lines.

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  92. Carte 92

    Question

    Written interval F♯4 → F♯4?

    Réponse

    Perfect unison (P1). The note letters make a unison, and the pitches span 0 semitones in 12-TET.

  93. Carte 93

    Question

    Ascending written interval C4 → D♭4?

    Réponse

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  94. Carte 94

    Question

    Ascending written interval B♭3 → D4?

    Réponse

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  95. Carte 95

    Question

    Ascending written interval D4 → G4?

    Réponse

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  96. Carte 96

    Question

    Ascending written interval F♯4 → D5?

    Réponse

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  97. Carte 97

    Question

    Ascending written interval C4 → B4?

    Réponse

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  98. Carte 98

    Question

    Ascending written interval F♯4 → C♯5?

    Réponse

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  99. Carte 99

    Question

    Ascending written interval C4 → F♯4?

    Réponse

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  100. Carte 100

    Question

    Ascending written interval E4 → F♯4?

    Réponse

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  101. Carte 101

    Question

    Ascending written interval A3 → C4?

    Réponse

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  102. Carte 102

    Question

    Ascending written interval F♯4 → D♯5?

    Réponse

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  103. Carte 103

    Question

    Ascending written interval C4 → G♭4?

    Réponse

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  104. Carte 104

    Question

    Ascending written interval D4 → C5?

    Réponse

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  105. Carte 105

    Question

    Ascending written interval E4 → F4?

    Réponse

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  106. Carte 106

    Question

    Ascending written interval C4 → E4?

    Réponse

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  107. Carte 107

    Question

    Ascending written interval F♯4 → B4?

    Réponse

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  108. Carte 108

    Question

    Ascending written interval C4 → A♭4?

    Réponse

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  109. Carte 109

    Question

    Ascending written interval F♯4 → E♯5?

    Réponse

    Major seventh (M7). The note letters make a seventh, and the pitches span 11 semitones in 12-TET.

  110. Carte 110

    Question

    Ascending written interval B♭3 → F4?

    Réponse

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  111. Carte 111

    Question

    Ascending written interval F4 → B4?

    Réponse

    Augmented fourth (A4). The note letters make a fourth, and the pitches span 6 semitones in 12-TET.

  112. Carte 112

    Question

    Ascending written interval F♯4 → G♯4?

    Réponse

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  113. Carte 113

    Question

    Ascending written interval C4 → E♭4?

    Réponse

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  114. Carte 114

    Question

    Ascending written interval E♭4 → C5?

    Réponse

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  115. Carte 115

    Question

    Ascending written interval F♯4 → C5?

    Réponse

    Diminished fifth (d5). The note letters make a fifth, and the pitches span 6 semitones in 12-TET.

  116. Carte 116

    Question

    Ascending written interval B♭3 → A♭4?

    Réponse

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  117. Carte 117

    Question

    Ascending written interval B3 → C4?

    Réponse

    Minor second (m2). The note letters make a second, and the pitches span 1 semitone in 12-TET.

  118. Carte 118

    Question

    Ascending written interval F♯4 → A♯4?

    Réponse

    Major third (M3). The note letters make a third, and the pitches span 4 semitones in 12-TET.

  119. Carte 119

    Question

    Ascending written interval B♭3 → E♭4?

    Réponse

    Perfect fourth (P4). The note letters make a fourth, and the pitches span 5 semitones in 12-TET.

  120. Carte 120

    Question

    Ascending written interval A3 → F4?

    Réponse

    Minor sixth (m6). The note letters make a sixth, and the pitches span 8 semitones in 12-TET.

  121. Carte 121

    Question

    Ascending written interval D4 → A4?

    Réponse

    Perfect fifth (P5). The note letters make a fifth, and the pitches span 7 semitones in 12-TET.

  122. Carte 122

    Question

    Ascending written interval B♭3 → C4?

    Réponse

    Major second (M2). The note letters make a second, and the pitches span 2 semitones in 12-TET.

  123. Carte 123

    Question

    Ascending written interval F♯4 → A4?

    Réponse

    Minor third (m3). The note letters make a third, and the pitches span 3 semitones in 12-TET.

  124. Carte 124

    Question

    Ascending written interval A3 → F♯4?

    Réponse

    Major sixth (M6). The note letters make a sixth, and the pitches span 9 semitones in 12-TET.

  125. Carte 125

    Question

    Ascending written interval C4 → B♭4?

    Réponse

    Minor seventh (m7). The note letters make a seventh, and the pitches span 10 semitones in 12-TET.

  126. Carte 126

    Question

    Perfect unison from C4?

    Réponse

    C4. The spelling makes a unison, and the pitches span 0 semitones in 12-TET.

  127. Carte 127

    Question

    Minor second above F♯4?

    Réponse

    G4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  128. Carte 128

    Question

    Major third above C4?

    Réponse

    E4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  129. Carte 129

    Question

    Perfect fourth above B♭3?

    Réponse

    E♭4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  130. Carte 130

    Question

    Minor sixth above C4?

    Réponse

    A♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  131. Carte 131

    Question

    Major seventh above B♭3?

    Réponse

    A4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  132. Carte 132

    Question

    Perfect fifth above E4?

    Réponse

    B4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  133. Carte 133

    Question

    Augmented fourth above D♭4?

    Réponse

    G4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  134. Carte 134

    Question

    Major second above C4?

    Réponse

    D4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  135. Carte 135

    Question

    Minor third above B♭3?

    Réponse

    D♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  136. Carte 136

    Question

    Major sixth above E4?

    Réponse

    C♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  137. Carte 137

    Question

    Diminished fifth above C4?

    Réponse

    G♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  138. Carte 138

    Question

    Minor seventh above D4?

    Réponse

    C5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  139. Carte 139

    Question

    Perfect octave above E♭4?

    Réponse

    E♭5. The spelling makes an octave, and the pitches span 12 semitones in 12-TET.

  140. Carte 140

    Question

    Minor second above C4?

    Réponse

    D♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  141. Carte 141

    Question

    Major third above E♭4?

    Réponse

    G4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  142. Carte 142

    Question

    Perfect fourth above C4?

    Réponse

    F4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  143. Carte 143

    Question

    Minor sixth above B♭3?

    Réponse

    G♭4. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  144. Carte 144

    Question

    Major seventh above C4?

    Réponse

    B4. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  145. Carte 145

    Question

    Perfect fifth above B♭3?

    Réponse

    F4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  146. Carte 146

    Question

    Augmented fourth above C4?

    Réponse

    F♯4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  147. Carte 147

    Question

    Major second above E♭4?

    Réponse

    F4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  148. Carte 148

    Question

    Minor third above F♯4?

    Réponse

    A4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  149. Carte 149

    Question

    Major sixth above C4?

    Réponse

    A4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  150. Carte 150

    Question

    Diminished fifth above D4?

    Réponse

    A♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  151. Carte 151

    Question

    Minor seventh above F♯4?

    Réponse

    E5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  152. Carte 152

    Question

    Minor second above E4?

    Réponse

    F4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  153. Carte 153

    Question

    Major third above F♯4?

    Réponse

    A♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  154. Carte 154

    Question

    Perfect fourth above D4?

    Réponse

    G4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  155. Carte 155

    Question

    Minor sixth above F♯4?

    Réponse

    D5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  156. Carte 156

    Question

    Major seventh above E4?

    Réponse

    D♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  157. Carte 157

    Question

    Perfect fifth above F♯4?

    Réponse

    C♯5. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  158. Carte 158

    Question

    Augmented fourth above F4?

    Réponse

    B4. The spelling makes a fourth, and the pitches span 6 semitones in 12-TET.

  159. Carte 159

    Question

    Major second above B3?

    Réponse

    C♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  160. Carte 160

    Question

    Minor third above C4?

    Réponse

    E♭4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  161. Carte 161

    Question

    Major sixth above F♯4?

    Réponse

    D♯5. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  162. Carte 162

    Question

    Diminished fifth above B♭3?

    Réponse

    F♭4. The spelling makes a fifth, and the pitches span 6 semitones in 12-TET.

  163. Carte 163

    Question

    Minor seventh above E♭4?

    Réponse

    D♭5. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  164. Carte 164

    Question

    Minor second above B♭3?

    Réponse

    C♭4. The spelling makes a second, and the pitches span 1 semitone in 12-TET.

  165. Carte 165

    Question

    Major third above D4?

    Réponse

    F♯4. The spelling makes a third, and the pitches span 4 semitones in 12-TET.

  166. Carte 166

    Question

    Perfect fourth above F♯4?

    Réponse

    B4. The spelling makes a fourth, and the pitches span 5 semitones in 12-TET.

  167. Carte 167

    Question

    Minor sixth above E4?

    Réponse

    C5. The spelling makes a sixth, and the pitches span 8 semitones in 12-TET.

  168. Carte 168

    Question

    Major seventh above F♯4?

    Réponse

    E♯5. The spelling makes a seventh, and the pitches span 11 semitones in 12-TET.

  169. Carte 169

    Question

    Perfect fifth above C4?

    Réponse

    G4. The spelling makes a fifth, and the pitches span 7 semitones in 12-TET.

  170. Carte 170

    Question

    Major second above F♯4?

    Réponse

    G♯4. The spelling makes a second, and the pitches span 2 semitones in 12-TET.

  171. Carte 171

    Question

    Minor third above E4?

    Réponse

    G4. The spelling makes a third, and the pitches span 3 semitones in 12-TET.

  172. Carte 172

    Question

    Major sixth above B♭3?

    Réponse

    G4. The spelling makes a sixth, and the pitches span 9 semitones in 12-TET.

  173. Carte 173

    Question

    Minor seventh above C4?

    Réponse

    B♭4. The spelling makes a seventh, and the pitches span 10 semitones in 12-TET.

  174. Carte 174

    Question

    Why are C4 → F♯4 and C4 → G♭4 different written intervals even though both span 6 semitones?

    Réponse

    Their note letters set different numbers. C–F♯ is an augmented fourth (A4), while C–G♭ is a diminished fifth (d5).

  175. Carte 175

    Question

    Why are C4 → C♯4 and C4 → D♭4 different written intervals even though both span 1 semitone?

    Réponse

    Their spellings set different numbers. C–C♯ is an augmented unison (A1), while C–D♭ is a minor second (m2).

  176. Carte 176

    Question

    Why are C4 → D♯4 and C4 → E♭4 different written intervals even though both span 3 semitones?

    Réponse

    Their spellings set different numbers. C–D♯ is an augmented second (A2), while C–E♭ is a minor third (m3).

  177. Carte 177

    Question

    Why are C4 → F♭4 and C4 → E4 different written intervals even though both span 4 semitones?

    Réponse

    Their spellings set different numbers. C–F♭ is a diminished fourth (d4), while C–E is a major third (M3).

  178. Carte 178

    Question

    Why are C4 → G♯4 and C4 → A♭4 different written intervals even though both span 8 semitones?

    Réponse

    Their spellings set different numbers. C–G♯ is an augmented fifth (A5), while C–A♭ is a minor sixth (m6).

  179. Carte 179

    Question

    Why are C4 → A♯4 and C4 → B♭4 different written intervals even though both span 10 semitones?

    Réponse

    Their spellings set different numbers. C–A♯ is an augmented sixth (A6), while C–B♭ is a minor seventh (m7).

  180. Carte 180

    Question

    Why are C4 → B♯4 and C4 → C5 different written intervals even though both span 12 semitones?

    Réponse

    Their spellings set different numbers. C–B♯ is an augmented seventh (A7), while C–C is a perfect octave (P8).

  181. Carte 181

    Question

    Why can semitone count alone fail to identify a written interval?

    Réponse

    Semitone count gives chromatic distance, but the note letters give the interval number. You need both number and semitone distance to determine the written quality.

Abstract paired note forms connected by measured arcs across staff-like lines.

181 cartes

Music Interval Flashcards: Size, Quality & Note Spelling

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